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The 2017 Oscars: Nominees for Best Original Score

The 89th Academy Awards are coming up this Sunday. Here are some excerpts from this year’s nominees for “Best Original Score: “Moonlight” (Nicholas Britell) Nicholas Britell’s score for Moonlight alters and manipulates sound in a way that is similar to expressive techniques used in cinematography. In this interview with The Frame, the Juilliard-trained pianist and composer said, Barry [Jenkins, […]

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Poulenc

Finding “Joie de vivre” in Poulenc

Music has the ability to unleash mysterious powers which transcend the literal. I was reminded of this recently, as I listened to George Gershwin’s ebullient song, Of Thee I Sing, featured in Monday’s post. It’s the title song of one of the Broadway musical theater’s most zany political satires. Within the show, the premise of the […]

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Songwriter George Gershwin (1898 - 1937) at a piano.   (Photo by Evening Standard/Getty Images)

“Of Thee I Sing”: Gershwin’s Wacky, Tuneful, Political Satire

Today is President’s Day in the U.S. Over the past few years, here at The Listeners’ Club, we’ve marked the occasion with musical portraits of Washington, Lincoln and even Richard Nixon. Today, let’s consider the fictitious presidential candidate John P. Wintergreen who runs on a “love” platform. He’s the goofy protagonist of the 1931 Pulizer-Prize-winning Broadway musical satire Of Thee […]

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The 2017 Classical Grammys

Here is an overview of last weekend’s 2017 Grammy Awards in the classical categories. From opera to chamber music, the list features a heavy dose of American contemporary music: Best Orchestral Performance This is the second installment in a series of live-concert Shostakovich recordings by Music Director Andris Nelsons and the Boston Symphony on the […]

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John Adams at 70

Today marks the 70th birthday of American composer John Adams. Adams may be the most publicly recognizable face of contemporary American music. More than any other living American composer, he seems to have inherited the mantle once held by Aaron Copland. John Adams’ earliest music, like Phrygian Gates (1977) and Common Tones in Simple Time (1979), grew out of the […]

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Liebesfreud: Five Classic Recordings

In celebration of Valentine’s Day, here are five classic recordings of Liebesfreud (“Love’s Joy”) by the Austrian-born violinist Fritz Kreisler (1875-1962). This short piece comes from a world long past. It evokes the waltzing elegance and frothy charm of pre-war Vienna. Kreisler wrote it sometime before 1905 and deliberately mis-attributed it to Joseph Lanner (1801-1843), the composer […]

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Barenboim on Bruckner

Conductor Daniel Barenboim had some interesting things to say, recently, about the music of Bruckner. (Why Bruckner Matters: A Listeners’ Guide With Daniel Barenboim). Here are a few excerpts: Bruckner is a very, how shall I say, special, specific world in the world of music. The musical idiom, the musical language, is post-Wagner, late 19th-century. […]

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10 Musical Adaptations of “God Save the Queen”

On Monday, Britain celebrated Queen Elizabeth II’s Sapphire Jubilee, marking her 65 years on the throne. At 90, Her Majesty is the world’s longest-reigning monarch. The milestone reminded me of the nearly 140 composers who have created musical adaptations of God Save the Queen, an ancient melody that may have originated in plainchant long before it was […]

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Elder

New Release: Sir Mark Elder and the Hallé’s “For the Fallen” Features Elgar, Bax

I can still remember, vividly, Mark Elder’s concerts with the Rochester Philharmonic Orchestra back in the 90s. I was a teenager at the time, and Elder was a young, up-and-coming British conductor who had risen to prominence as music director of the English National Opera. With a reputation as an “orchestra builder,” Elder succeeded David Zinman […]

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Jason Vieaux

Jason Vieaux: “In a Sentimental Mood”

American guitarist Jason Vieaux is our guest soloist for this weekend’s Richmond Symphony concerts. His Grammy-winning 2014 album, Play, includes this beautifully atmospheric performance of Duke Ellington’s In a Sentimental Mood: An interesting story surrounds the 1935 composition of this famous jazz standard. According to Ellington, We had played a big dance in a tobacco warehouse, and afterwards […]

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