As Winter Turns to Spring…

For those of us in the Northern Hemisphere, winter is slowly beginning to loosen its grip.  As we look forward to warmer temperatures and longer days, let’s enjoy music from Antonio Vivaldi’s The Four Seasons.

Written in 1723, The Four Seasons is a collection of violin concertos, each depicting a different season of the year.  A concerto is a composition, usually in three movements (Fast, Slow, Fast) written for a solo instrument (or instruments) and orchestra.

Vivaldi was one of the greatest violinists of his time.  He was influential in both the development of the violin and the establishment of the concerto as a musical genre. Vivaldi, Corelli, Veracini, Tartini and others in Italy around the beginning of the eighteenth century wrote music that extended the range and technical possibilities of the violin and incorporated “cantabile melodies, brilliant figuration, expression and dramatic effects [which] strongly influenced the course of music in other countries.”*

As you listen to these performances, consider how Vivaldi musically captures the atmosphere of winter and spring.  To help performers interpret the music, Vivaldi wrote sonnets in the score before each concerto.  Listen to the icy sounds in Winter and notice how the bows are used to create these sounds.  In Spring you’ll hear the violins depicting bird songs.  Pay attention to the back and forth dialogue between the orchestra and the solo violin.  This is part of what gives a concerto so much drama.

I have included two great performances.  The first features violinist Julia Fischer and the Academy of St. Martin in the Fields.  She gives a beautiful, twenty-first century performance of the piece.

You might have fun comparing Fischer’s interpretation with the second set of clips, featuring a really exciting performance by Giuliano Carmignola and the Venice Baroque Orchestra.  Although no one knows exactly how this music was played in Vivaldi’s time, this performance attempts to be more historically accurate.  You will notice that the bows are shaped differently than the modern bow and the sound produced is quite different.  You will also hear ornamental notes added, especially in the slow movement of Winter.  In Vivaldi’s time this kind of freedom and sense of improvisation was common.

After listening to these clips, I think you’ll be amazed that the same music can sound so different depending on the concept of the performer.  This is an aspect of music that we should celebrate.

In my next post, in the middle of the month, we’ll listen to an amazing piece written in the twentieth century that was inspired by Vivaldi’s Four Seasons.

Antonio Vivaldi

The Four Seasons…Antonio Vivaldi (1678-1741)

Concerto No. 4 in F minor, Op. 8, RV 297, “L’inverno” (Winter)

Allegro non molto
Largo
Allegro 

Concerto No. 1 in E major, Op. 8, RV 269, “La primavera” (Spring)

Allegro
Largo
Allegro Pastorale 

Julia Fischer and the Academy of St. Martin in the Fields:

 

(*Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries, Robin Stowell, pg.1)

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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