Music of the Hunt

(above: “Vanity Sounds the Horn and Ignorance Unleashes the Hounds Overconfidence, Rashness, and Desire” (from The Hunt of the Frail Stag), Dutch tapestry, 1500–1525)

The sound of horns and trumpets evokes ancient and sometimes subconscious associations. Horns were used during the hunt to call hounds because their sound was similar to the human voice but could carry for great distances. Trumpets served as a way to communicate on the battlefield during military campaigns. Originally these instruments were played without valves. Only pitches in the harmonic series were available, leading to a uniquely “open” sound.

Let’s listen to a few pieces that were inspired by sounds of the hunt:

[typography font=”Cantarell” size=”28″ size_format=”px”]Paganini Caprice No. 9 in E Major[/typography]

Paganini’s Caprice No. 9 for violin imitates the sound of hunting horns. Here is a great performance by James Ehnes:

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[typography font=”Cantarell” size=”28″ size_format=”px”]Hunter’s Chorus[/typography]

Suzuki violin students learn an arrangement of Carl Maria Von Weber’s Hunter’s Chorus in Book 2. Here is the original version from Act 3 of Weber’s opera, Der Freischütz. Read the synopsis of the opera here.

And here is a fun clip: The Berlin Philharmonic horn section playing “Hunter’s Chorus” in a cable car high up in the Alps:

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[typography font=”Cantarell” size=”28″ size_format=”px”]Bruckner’s “Hunt” Scherzo[/typography]

Anton Bruckner drew upon the mythical associations of horns and trumpets in the Scherzo of Symphony No. 4 in E-flat Major. Listen to the sense of quiet excitement and anticipation Bruckner creates in the opening of this movement as a medieval forest awakens. Notice the sound of distant, echoing horn and trumpet calls around 1:27. At 4:05 you’ll hear a more pastoral trio section before the return of the Scherzo.

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Listen to Daniel Barenboim and the Vienna Philharmonic perform Bruckner’s entire Symphony No. 4 here. The opening of the first movement, which also features the horn, emerges out of silence. The hushed string tremolo creates an intense rumble which seems otherworldly.

Did I miss any significant pieces which are inspired by the hunt? Share your own music in the thread below.

[quote]The basic hunting myth is of a kind of covenant between the animal world and the human world. The animal gives its life willingly, with the understanding that its life transcends its physical entity and will be returned to the soil or to the mother through some ritual of restoration. -Joseph Campbell, “The Power of Myth”[/quote]

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

2 thoughts on “Music of the Hunt

  1. Thanks for your post, Tim, always fun and interesting to read.
    If you are looking for other works : what about “Le Chasseur maudit” (The Accursed Huntsman) by Cesar Franck? Maybe not well-known, but a spectacular piece for sure, and also very evocative.

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