A Vibrating Wooden Box

luthier Sam Zygmuntowicz
Brooklyn luthier Sam Zygmuntowicz

The debate surrounding comparisons between priceless, old Italian Stradivari and Guarneri violins and the work of top-level, modern luthiers rages on. Meanwhile, the quality of some of the finest contemporary instruments is undeniable.

Brooklyn, New York-based luthier Sam Zygmuntowicz has great reverence for the old Italian makers, but he refuses to be intimidated by their mystique, rejecting the notion that “mystery” surrounds their brilliance. Through extensive research, he has attempted to gain an increasing understanding of the way design impacts sound. The Renaissance principle that “beautiful form leads to beautiful function” applies. Zygmuntowicz has used vibration scanning technology to understand how violins “move.” Watch the surprising slow motion CT scan of an undulating Strad here.

In this clip from last year’s Banff International String Quartet Competition, Sam Zygmuntowicz has some interesting observations about Strads and modern violins. He mentions that violin making has become fairly homogenized, compared to the distinct French, German and Italian schools of the eighteenth century. In each of these schools, the style of violin making was informed by a distinct concept of sound. Zygmuntowicz points out a key advantage of modern instruments: luthiers are able to work with violinists to craft an instrument which meets their specific expectations and needs. He describes the violin as “a conduit for energy,” which passes from the player through the bow, into the bridge and ultimately through the air and into the listener’s eardrum. At the end of the lecture, we hear a brief demonstration of two of Zygmuntowicz’s violins.

You can also hear one of Zygmuntowicz’s violins in action in this excerpt from Richard Strauss’s ballet suite, Der Bürger als Edelmann (Le bourgeois gentilhomme). The violinist is Steven Copes, concertmaster of the Saint Paul Chamber Orchestra.

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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