A Resolution in Atlanta

Unknown-1The Atlanta Symphony’s two-month-long lockout ended over the weekend. With the help of federal mediation, musicians ratified a four year contract. The agreement halts ASO management’s attempt to gain “flexibility” by downsizing the orchestra, ensuring a compliment of 88 full time musicians by the contract’s final year. Read this article and visit Drew McManus’ Adaptistration for background and in-depth analysis.

The lockout (the second in Atlanta in two years) has delayed the start of the orchestra’s 70th season and raised questions about the stewardship of the ASO’s parent company, the Woodruff Arts Center. As Atlanta Symphony players scattered across the country to perform as freelancers in other orchestras, the Woodruff Arts Center board remained disturbingly ambivalent about the potential destruction of a world-class orchestra. In a rare and bold move, music director Robert Spano and principal guest conductor Donald Runnicles spoke out about the potential destruction of the orchestra. It will be important for the community to continue to hold the Woodruff leadership accountable.

Mahler in the Mid-90s

In an earlier post, I highlighted a few of the Atlanta Symphony’s excellent recordings. As an addition to that list, here is Yoel Levi’s 1995 recording of Mahler’s Fifth Symphony. The Israeli-born Levi was music director of the ASO from 1988-2000.  The recording highlights the Atlanta Symphony’s trademark refinement and polish. Even in the most powerful fortissimos, the trumpets, trombones and horns remain singing and blended. In the first movement’s funeral march, the whispering strings seem to slowly awaken (1:08). The Telarc label’s microphone placement seems to capture the sound from the perspective of distance, as you would hear it if you were sitting in the hall.

  1. Trauermarsch (Funeral March). In gemessenem Schritt. Streng. Wie ein Kondukt (0:00)
  2. Stürmisch bewegt, mit größter Vehemenz (Moving stormily, with the greatest vehemence) (12:51)
  3. Scherzo. Kräftig, nicht zu schnell (Not too fast, strong) (27:41)
  4. Adagietto. Sehr langsam (Very slow) (45:32)
  5. Rondo-Finale. Allegro – Allegro giocoso. Frisch (Fresh) (56:37)

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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