Zukerman on the Poetry of Tuning

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Violinist and violist Pinchas Zukerman shares some interesting thoughts about tuning in this excerpt from a masterclass. For Zukerman, tuning is more than a necessary mechanical process. It’s the merging of two contrasting elements: the bow, representing the “practical,” and the violin, representing the “emotional.” Most importantly, tuning and warming up should be approached musically.

Zukerman’s insights are a great reminder that violin playing starts in the mind. Tone production is about attitude and focused energy as the bow connects to the string and releases. “Technique is conception” was a favorite mantra of the late, legendary violinist and teacher, Zvi Zeitlin.

Here is Pinchas Zukerman performing Mozart’s Violin Concerto No. 3, K. 216 with the Ottawa, Canada-based National Arts Centre Orchestra:

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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