How to Sing Rossini

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Conductor Sir Mark Elder shares some interesting insights on the music of Rossini in this recent masterclass at London’s Royal Opera House. Elder coaches mezzo-soprano Rachel Kelly, who sings Rosina’s cavatina, “Una voce poco fa,” from Act 1, scene II of The Barber of Seville. 

According to Elder, rhythm is the key element of Rossini’s music. The energy of the rhythmic motor keeps the music alive and infuses it with style. Pulse equals life. Elder shows how the combination of elegance, strength and boldness in the introduction instantly establishes Rosina’s character for the audience, before a note is sung.

“Una voce poco fa” is about subtly ruthless determination and seduction. Rosina is confined in the house of the elderly Dr. Bartolo, whom she is supposed to marry. Count Almaviva serenades her from the public square below. Rosina hears only his voice, and falls in love. The Count has disguised himself as Lindoro, a poor student. He wants to be sure that Rosina doesn’t marry him for his money. Read the full synopsis here.

Here are Rosina’s final lines:

Yes, Lindoro will be mine
I’ve swore it, I’ll win.
I let be ruled, I let be guided
I’m obedient, sweet, loving
I let be ruled, I let be guided
But if they touch where my weak spot is
I’ll be a viper and a hundred traps
before giving up I’ll make them fall

Here is a concert performance from 1997 featuring Elder and Slovak coloratura soprano Edita Gruberová:

Here are a few more links:

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