Alan Curtis Plays Wildly Dissonant Couperin

Alan Curtis, American harpsichordist, musicologist, and conductor of baroque opera, passed away suddenly on Wednesday in Florence, Italy. He was 80.

Curtis leaves behind many groundbreaking recordings, including harpsichord music by J.S. Bach, Domenico Scarlatti, and French keyboard masters like Rameau and Louis Couperin. Curtis founded the European period orchestra Il Complesso Barocco. With that ensemble he recorded numerous works, including an extensive catalogue of Handel operas.

Let’s listen to Alan Curtis perform Prelude, Courante, and Passacaille in G minor by Louis Couperin (c. 1626-1661). Notice the way the Passacaille (beginning at 5:25), constructed on a repeating, descending four-note bass line, gradually becomes increasingly complex and far-reaching after its relatively simple opening. As the intensity builds, fasten your seat belt for some extraordinarily wild dissonances around the 8:18 mark. Also, listen closely to the luscious pandiatonic chord at 8:50, a sound that would be at home in a contemporary pop song.

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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