The Mozart of Modernism

It’s been estimated that 3,000 performance majors graduate from American music schools and conservatories each year, while there are only 150 to 269 yearly openings in full-time professional orchestras. To that end, recent advice from internationally renowned British architect Sir Norman Foster seems relevant, not only to music students but to all of us: Foster captured attention in the 1980s with his innovative design for the HSBC Building in Hong Kong, a …

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Michael Graves’ Postmodern Legacy

They say (quoting Goethe) that architecture is “frozen music;” so it seems appropriate to mark the sudden passing of one of the giants of American architecture. Michael Graves passed away yesterday at age of 80 at his home, “The Warehouse,” in Princeton, New Jersey. A member of “The New York Five,” he rose to prominence in the 1980s as one of the leading Postmodern architects. In keeping with postmodernism, Graves’ sometimes controversial architecture …

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Even Better Than the Real Thing

In 1984, a bold, new skyscraper emerged on the Manhattan skyline, which captured everyone’s attention and became the subject of intense controversy. The Chippendale-inspired broken pediment crown of architect Philip Johnson’s AT&T Building shocked the architectural establishment because it so profoundly violated the ruling aesthetic of the day. This bizarre new icon seemed to be cheerfully thumbing its nose at the solemn, modernist glass boxes which surrounded it. Postmodernism was born. Modernism, …

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Arvo Pärt: Spirit in Sound and Space

In June the Metropolitan Museum of Art and St. Vladimir’s Orthodox Theological Seminary hosted a thought-provoking discussion, Spirit in Sound and Space- A Conversation Inspired by Arvo Pärt, in conjunction with this summer’s Arvo Pärt Project. The discussion brought together architect Steven Holl, neuroscientist Robert Zatorre, and musician and theology professor Peter Bouteneff. For Steven Holl, one of the most visionary contemporary architects, ideas often emerge through the process of painting watercolors. Buildings like the Chapel of St. Ignatius in Seattle and the Knut …

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God Is in the Details

“God is in the details,” said Ludwig Mies van der Rohe (1886-1969), one of the most significant architects of the twentieth century. Mies followed a modernist “less is more” aesthetic, which eliminated decoration and stripped architecture down to fundamental elements of structure and proportion. The results were serenely powerful and soulful monuments such as New York’s Seagram Building. Mies, whose father was a master mason and stonecutter, found beauty in materials. Bronze, …

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The Concert Hall as a Civic Icon

[quote]“Music is liquid architecture; Architecture is frozen music.” -Wolfgang von Goethe[/quote] [typography font=”Cantarell” size=”28″ size_format=”px”]A Living Room for the City[/typography] This month marks the tenth anniversary of the opening of Walt Disney Concert Hall, the gleaming, iconic home of the Los Angeles Philharmonic, designed by Frank Gehry. The hall is more than a monument to a world class orchestra in the middle of a world class city. It’s a reminder that, like …

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