Archive | Choral

christmas-celebration-garlands-decorations-wallpapers-tree-wallpaper

Christmas Liszt

When considering sacred Christmas music, Franz Liszt probably isn’t the first composer to come to mind. But Liszt, in fact, wrote a strange outlier of a Christmas Oratorio. It forms the first part of the sprawling Christus, composed between 1862 and 1866, which follows the example of Handel’s Messiah, dramatizing the life of Jesus Christ from birth, to passion, […]

Continue Reading
PA010054

The Bach Motet that Inspired Mozart

On Friday, we considered the musical influence of J.S. Bach on Mozart. Born in 1756, six years after Bach’s death, Mozart became fascinated with Bach’s counterpoint around the time he moved from Salzburg to Vienna. In 1789, he traveled to Leipzig and performed on the organ Bach had played at St. Thomas Church (pictured above). Bach was […]

Continue Reading
DSC6665

Mozart’s Mass in C Minor: An Unfinished Monument

Some interesting questions surround the creation of Mozart’s “Great” Mass in C minor. First, it was written in Vienna between 1782 and 1783 at a time when Mozart was in demand for operas, not sacred music. He had resigned his post in Salzburg in August, 1777, escaping the provincialism of an Archbishop with a penchant for […]

Continue Reading

“Nänie”: Brahms’ Choral Lamentation

Death is an inevitable part of life. This is the theme of Johannes Brahms’ 1881 lamentation for chorus and orchestra, Nänie, Op. 82. The work was composed in memory of the painter, Anselm Feuerbach, a close friend of Brahms. It’s a setting of a poem by Friedrich Schiller which opens with the line, “Even the beautiful must perish!” “Nänie” is the […]

Continue Reading
nmarkt4

The Power of Six Notes: Exploring the “Dresden Amen”

On Friday, we listened to a few excerpts from Wagner’s epic final opera, Parsifal. Today, let’s return to one of Parsifal‘s most powerful and persistently recurring leitmotifs: the majestic, ascending six-note motive known as the “Dresden Amen.” This liturgical chord sequence was written by Johann Gottlieb Naumann (1741-1801) for use in Dresden’s court chapel some time in the late […]

Continue Reading
p012w8y3

Bach’s “Erbarme dich, mein Gott”

This week we’ll explore music inspired by Good Friday and Easter, both sacred and secular. We’ll start in one of the most sublime and powerful corners of J.S. Bach’s St. Matthew Passion: the alto aria, Erbarme dich, mein Gott (“Have mercy Lord, My God, for the sake of my tears”). In the drama, this aria reflects Peter’s solitary […]

Continue Reading
pisa_cathedral02

New Release: Bach’s St. Matthew Passion, John Eliot Gardiner

Each time we explore Bach’s music we feel as if we have traveled great distances to, and through, a remote but entrancing soundscape. -Sir John Eliot Gardiner An exciting new recording of Bach’s St. Matthew Passion was released last Friday. Sir John Eliot Gardiner leads the Monteverdi Choir (an ensemble he founded in 1964), the Trinity Boys Choir, the English […]

Continue Reading
Grammy-Awards-

The 2017 Classical Grammys

Here is an overview of last weekend’s 2017 Grammy Awards in the classical categories. From opera to chamber music, the list features a heavy dose of American contemporary music: Best Orchestral Performance This is the second installment in a series of live-concert Shostakovich recordings by Music Director Andris Nelsons and the Boston Symphony on the […]

Continue Reading
Elder

New Release: Sir Mark Elder and the Hallé’s “For the Fallen” Features Elgar, Bax

I can still remember, vividly, Mark Elder’s concerts with the Rochester Philharmonic Orchestra back in the 90s. I was a teenager at the time, and Elder was a young, up-and-coming British conductor who had risen to prominence as music director of the English National Opera. With a reputation as an “orchestra builder,” Elder succeeded David Zinman […]

Continue Reading
B5EF40B00B37AB79B084C40E2D3E5E2E83F53BBCB971D642737EE064E42088A8

Remembering Estonian Choral Composer Veljo Tormis

The prolific Estonian composer Veljo Tormis passed away last Saturday. He was 86. Tormis’ music, deeply rooted in the ancient Estonian folk tradition, includes more than 500, mostly a cappella, choral compositions. His music played a role in the revolutionary movement for Estonian independence from the Soviet Union. (The documentary, The Singing Revolution, chronicles the spontaneous, overnight, mass […]

Continue Reading
The Listeners' Club

Send this to a friend