Augustin Hadelich Plays Brahms

This performance, recorded last June, is one of the gems you’ll find at violinist Augustin Hadelich’s Youtube channel. It’s the Brahms Violin Concerto as experienced from a front row seat in Oslo’s intimate NRK Radio Concert Hall. (The Norwegian Radio Orchestra is conducted by Miguel Harth-Bedoya). At the end of the first movement, we often hear the cadenza by Joseph Joachim (1831-1907), the German violinist for whom Brahms wrote the Concerto. This performance …

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Brahms’ First Piano Concerto: Rising to Symphonic Scale

A ferocious, stormy intensity is unleashed in the opening of Johannes Brahms’ Piano Concerto No. 1 in D minor. With an ominous inevitability, the expansive opening theme growls, snarls, and lashes its teeth, rising up like some kind of awesome supernatural power. Immediately, we’re drawn into music which is bold and monumental- a kind of symphony with solo piano. For nearly four years, beginning in 1854, the young Brahms wrestled with the form of …

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Five Great Lazar Berman Recordings

The legendary Russian pianist Lazar Berman was born in Saint Petersburg on this date in 1930. At first confined to the Soviet Union and its satellite countries (the 12-year travel ban may have been the result of his marriage to a French woman), Berman burst onto the international music scene in the mid-1970s, following American and European tours. His playing often exuded a stunning dramatic power. In a 2005 New York Times …

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Prokofiev’s Third Piano Concerto: The Greatest C Major Riff of All Time?

Musician, teacher, and producer Rick Beato shares some interesting insights into Prokofiev’s Third Piano Concerto in a recent video at his channel, Everything Music. He calls this passage from the first movement “the greatest riff of all time written with only the white keys.” It’s a stream of notes which seems as fluid and inevitable as any jazz keyboard riff- an unrelenting, anticipation-building, virtuosic romp, completely in white-key C major until one stray G-sharp sneaks in at the last …

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New Release: Anne Akiko Meyers’ “Fantasia”

Violinist Anne Akiko Meyers’ newly-released album, Fantasia, opens with a beautiful, shimmering Scandinavian soundscape. Written in 2015, the Fantasia for violin and orchestra is one of the final works of Finnish composer, Einojuhani Rautavaara (1928-2016). In his early days a composer of 12-tone music, Rautavaara is best known for the mystical neo-romanticism of later pieces such as Cantus Arcticus (“Concerto for Birds and Orchestra”) and Symphony No. 7, “Angel of Light. Meyers talks about her commission of the fifteen-minute-long elegy and her …

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The “Philadelphia Sound” in Five Historic Recordings

These days, the professional orchestra world is characterized by unparalleled technical skill, dutiful attention to historically-informed performance practice, and a general homogenization of sound and style. Musicians are expected to transition, instantly and seamlessly, from the lush Romanticism of Tchaikovsky to the lean purity of Mozart, with the mixed meters of Stravinsky and John Adams thrown in for good measure. In many ways, it’s the best of times. Perhaps what has been …

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Grieg’s Piano Concerto: Color and Atmosphere

It’s one of the most memorable opening statements in all of music history. Edvard Grieg’s Piano Concerto in A minor begins with the ominous rumble of a timpani roll and then a sudden, bold proclamation in the solo piano which seems to say, “Here I am.” The music which follows has echoes of the hushed restlessness of Robert Schumann’s Piano Concerto, also in A minor, and the larger-than-life bravura of Franz Liszt, who read through the Concerto …

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