New Release: “Hilary Hahn Plays Bach”

Violinist Hilary Hahn released her first solo Bach album more than twenty years ago as a teenager. Now, she has returned to this music with a newly-released recording featuring Bach’s Sonata No. 1 in G minor, Partita No. 1 in B minor, and Sonata No. 2 in A minor. Completed nearly 300 years ago, this sublime collection of Baroque dances stands at the center of the violin repertoire. Hahn’s conception of this music moves away …

Read moreNew Release: “Hilary Hahn Plays Bach”

New Release: Rossini’s “Semiramide,” Sir Mark Elder and Opera Rara

“Rossini’s music is primarily rhythmic,” says British conductor Sir Mark Elder. “It bubbles. Even in the saddest music, there is a sense of bubbling going along underneath.” According to Elder, control of the tempo is more important than the tempo, itself. It is a sense of collective precision that keeps the audience “leaning forward.”  Sir Mark Elder and the Orchestra of the Age of Enlightenment put these concepts to work in a new studio recording of Rossini’s Semiramide. Based …

Read moreNew Release: Rossini’s “Semiramide,” Sir Mark Elder and Opera Rara

New Release: Rachel Barton Pine and Jory Vinikour Play Bach Sonatas for Violin and Harpsichord

Violinist Rachel Barton Pine and harpsichordist Jory Vinikour have released a new album featuring J.S. Bach’s Six Sonatas for Violin and Harpsichord, BWV 1014-1019. This marks the duo’s first recording collaboration. Barton Pine uses a baroque bow and plays a 1770 Nicola Gagliano violin which is in its “original, unaltered condition.” Also included on the album is the Cantabile, BWV 1019a which Bach originally wrote for the Sonata, BWV 1019. Likely composed between 1717 and 1723 during Bach’s Köthen period, these …

Read moreNew Release: Rachel Barton Pine and Jory Vinikour Play Bach Sonatas for Violin and Harpsichord

New Release: Vivaldi’s “The Four Seasons,” Rachel Podger and Brecon Baroque

English violinist, conductor, and Baroque specialist Rachel Podger has released an invigorating new recording of Vivaldi’s The Four Seasons in collaboration with Brecon Baroque, an ensemble she founded in 2007. This collection of concertos, published in 1725, is so familiar to us today that it’s easy to forget how bold, innovative, and virtuosic this music must have seemed to its first audiences. Accompanied by sonnets, also written by Vivaldi, these works stand as some …

Read moreNew Release: Vivaldi’s “The Four Seasons,” Rachel Podger and Brecon Baroque

New Release: Mahler’s Sixth Symphony, Osmo Vänskä and the Minnesota Orchestra

A spectacular new hybrid SACD recording of Mahler’s Sixth Symphony, featuring Osmo Vänskä and the Minnesota Orchestra, came out earlier this month on the Swedish label, BIS Records. This is the second installment in a project which will include the complete cycle of Mahler Symphonies. (The Fifth Symphony was released last July). Vänskä and the Minnesota Orchestra have already recorded the complete symphonies of Beethoven and Sibelius. The hybrid recording technology attempts to capture …

Read moreNew Release: Mahler’s Sixth Symphony, Osmo Vänskä and the Minnesota Orchestra

New Release: Beethoven Symphonies No. 5 and 7, Jaap van Zweden and the New York Philharmonic

The New York Philharmonic and incoming Music Director, Jaap van Zweden, have released a new album featuring Beethoven’s Fifth and Seventh Symphonies. It’s the first of six live-concert recordings the ensemble plans to release on the Decca Gold label. Previously, van Zweden recorded the same pairing with the Dallas Symphony. He steps down as Music Director in Dallas at the end of this season. Wagner called Beethoven’s Seventh “the apotheosis of dance.” He wrote, All tumult, all …

Read moreNew Release: Beethoven Symphonies No. 5 and 7, Jaap van Zweden and the New York Philharmonic

New Release: Augustin Hadelich Plays Paganini’s 24 Caprices

Niccolò Paganini’s 24 Caprices, written between 1802 and 1817, are spectacular feats of daredevil virtuosity. With an unabashed bravura, they push the violin toward its technical limits. But Augustin Hadelich’s newest album reveals the drama, humor, and sunny Bel Canto tunefulness which is the true essence of this music. In a recent interview, Hadelich said, When Paganini performed, men and women often wept and fainted, not necessarily because they were dazzled by his virtuosic …

Read moreNew Release: Augustin Hadelich Plays Paganini’s 24 Caprices

Send this to a friend