Archive | Opera

"In the midst of chaos, I find peace by loving," Joyce DiDonato says. "I love, and that gets me out of the situation."

Joyce DiDonato’s “In War and Peace”

In the midst of chaos, how do you find peace? This is the question American lyric-coloratura mezzo-soprano Joyce DiDonato asks with her newest album, prompted by the November 2015 Paris attacks. In War and Peace is a collection of baroque opera and oratorio arias by composers such as Handel, Purcell, and Monteverdi. The album just won a 2017 Gramophone […]

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Figaro

Mozart and the Spirit of Figaro

In the aria “Non più andrai, farfallone amoroso” (“You shall frolic no more”), from the first act of Mozart’s The Marriage of Figaro, Figaro teases Cherubino about the abrupt end of his carefree, flirtatious life at the palace. The Count is concerned that Cherubino has developed a fondness for the Countess and has banished him to distant military service. […]

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Excerpts from Houston Grand Opera’s Adventurous Discography

The water is receding and the cleanup begins in Houston’s hard-hit theater district. The Wortham Theater Center, home of Houston Grand Opera, experienced significant flooding from Hurricane Harvey with water reaching the top of one of the complex’s stages. Referencing a recent staging of Wagner’s Ring Cycle, the company put out a statement this week including the following […]

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Aida Garifullina

Aida Garifullina: Maria’s Lullaby from Tchaikovsky’s “Mazeppa”

Over the past few weeks, we have explored a few of the albums honored with a 2017 ECHO Klassik- Germany’s prestigious annual classical music awards. Today, we’ll turn our attention to the debut album of Russian operatic soprano Aida Garifullina. The recording, simply titled Aida Garifullina, won in the category of “Solo Recording/Voice (Arias/Recitals).” It’s a compilation of […]

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The 2017 Total Solar Eclipse

“Total Eclipse” from Handel’s “Samson”

Total eclipse! No sun, no moon! All dark amidst the blaze of noon! Total Eclipse, the aria from Handel’s 1743 oratorio, Samson, isn’t directly referencing the kind of awe-inspiring celestial dance many of us will experience today. The words, taken from John Milton’s tragic closet drama, are Samson’s anguished lament at losing his eye sight. (Milton and Handel both […]

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Wozzeck

Berg’s “Wozzeck”: Hans Graf and the Houston Symphony

It’s considered, by some, to be the greatest opera of the twentieth century. Alban Berg’s expressionist tragedy, Wozzeck, inhabits a darkly surreal world of alienation, dispossession, and mental and emotional breakdown. Written between 1914 and 1922, it’s based on a play by the German dramatist, Georg Büchner (1813-1837) -a work left incomplete at the time of Büchner’s death at […]

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New Release: Handel’s Rarely-Heard “Ottone”

Ottone, Handel’s 1723 tragic opera, tells the story of a bloody Roman coup and the marriage of the German emperor Otto II with the Byzantine princess Theophanu around the year 1000 AD. It was one of the composer’s most successful hits, coming at a time when Italian opera was wildly popular in London. Handel assembled a superstar […]

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“Francesca da Rimini”: Rachmaninov’s Symphonic Opera

On Wednesday, we heard Tchaikovsky’s thrilling 1876 orchestral tone poem, Francesca da Rimini. The composer was fascinated with the story from Dante’s Inferno, and first considered turning it into an opera. When that project failed to materialize, Tchaikovsky’s brother, Modest, persuaded him that the subject was ripe for a dramatic tone poem. Sergei Rachmaninov’s opera, Francesca da Rimini, set […]

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Renée Fleming as the Marschallin in Strauss's "Der Rosenkavalier."
Photo: Ken Howard/Metropolitan OperaTaken during the rehearsal on October 6, 2009 at the Metropolitan Opera in New York City.

“Der Rosenkavalier,” Renée Fleming, and the Passing of Time

Time is a strange thing. While one is living one’s life away, it is absolutely nothing. Then, suddenly, one is aware of nothing else. It is all around us – inside us, even! It shifts in our faces, swirls in the mirror, flows in my temples. It courses between you and me – silent, as in […]

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The Power of Six Notes: Exploring the “Dresden Amen”

On Friday, we listened to a few excerpts from Wagner’s epic final opera, Parsifal. Today, let’s return to one of Parsifal‘s most powerful and persistently recurring leitmotifs: the majestic, ascending six-note motive known as the “Dresden Amen.” This liturgical chord sequence was written by Johann Gottlieb Naumann (1741-1801) for use in Dresden’s court chapel some time in the late […]

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