Archive | Symphony

Sibelius’ First Symphony: Romanticism and Structure

Music is, for me, like a beautiful mosaic which God has put together. He takes all the pieces in his hand, throws them into the world, and we have to recreate the picture from the pieces. -Jean Sibelius There’s a divine logic at work in the seven symphonies of Jean Sibelius. You get the sense […]

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Tchaikovsky

Tchaikovsky, From Elation to Despair

Over the weekend, I found myself returning to Friday’s post to listen to Ja vas lyublyu, the famous aria from the second act of Tchaikovsky’s opera, The Queen of Spades. It occurred to me that the aria’s progression from soaring passion to gloomy despair is echoed throughout many of Tchaikovsky’s works. In many cases, this dichotomy of elation and despair relates […]

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The “Philadelphia Sound” in Five Historic Recordings

These days, the professional orchestra world is characterized by unparalleled technical skill, dutiful attention to historically-informed performance practice, and a general homogenization of sound and style. Musicians are expected to transition, instantly and seamlessly, from the lush Romanticism of Tchaikovsky to the lean purity of Mozart, with the mixed meters of Stravinsky and John Adams […]

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Franz Berwald: The First Great Scandinavian Symphonist?

In Wednesday’s post, I made the assertion that Scandinavian composers, from Grieg and Nielsen to Sibelius, inhabited their own distinct sound world. They seem to have heard things in a different way, and their music often unfolds with a unique sense of flow and a distinct approach towards time. Perhaps it was a result of their […]

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Schubert’s “Tragic” Fourth Symphony

Some incredibly sublime music was written in the shadow of Beethoven. For a case in point, look no further than Franz Schubert’s Symphony No. 4 in C minor. The 19-year-old Schubert completed this work in April, 1816. It didn’t receive a public premiere until 1849, more than two decades after the composer’s death. For those who rediscovered […]

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Mahler

Mahler Turns 157

Today marks the 157th anniversary of the birth of Gustav Mahler. Mahler was born on July 7, 1860 in the sleepy village of Kaliště (population 330) in what is now the Czech Republic. He was only a few months old when his parents moved the family to the larger regional center of Jihlava. (The city’s German […]

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Alan Gilbert

Dvořák’s “New World Symphony”: Alan Gilbert and the New York Philharmonic

On Friday, it was announced that conductor Alan Gilbert will take the reins of Hamburg’s NDR Elbphilharmonie Orchestra as its next chief conductor. Between 2004 and 2015, Gilbert served as the ensemble’s principal guest conductor. (Back in January, I wrote about the opening of the NDR Elbphilharmonie Orchestra’s spectacular new landmark concert hall, which floats above Hamburg’s harbor […]

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UNSPECIFIED - CIRCA 1907:  The Austrian composer Gustav Mahler. Photograph by Moriz Nähr. 1907.  (Photo by Imagno/Getty Images)

Mahler’s Evolution From Song to Symphony

Gustav Mahler’s music is full of sardonic humor- passages which seem, at once, frivolous and chillingly grotesque. You can hear this in the song cycle, Des Knaben Wunderhorn (“The Youth’s Magic Horn”). The twelve songs, published in 1905, are drawn from a collection of 723 anonymous German folk poems, compiled between 1805 and 1808 by Ludwig Achim […]

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Jeffrey Tate

Remembering Conductor Jeffrey Tate

The English conductor Sir Jeffrey Tate passed away on Friday. He was 74. In the early 1970s, Tate worked as a repetiteur and coach at the Royal Opera House, Covent Garden under Sir Georg Solti. His international conducting debut came in 1979 at New York’s Metropolitan Opera. He went on to lead the English Chamber Orchestra, […]

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The Listeners' Club

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