New Release: Augustin Hadelich Plays Paganini’s 24 Caprices

Niccolò Paganini’s 24 Caprices, written between 1802 and 1817, are spectacular feats of daredevil virtuosity. With an unabashed bravura, they push the violin toward its technical limits. But Augustin Hadelich’s newest album reveals the drama, humor, and sunny Bel Canto tunefulness which is the true essence of this music. In a recent interview, Hadelich said, When Paganini performed, men and women often wept and fainted, not necessarily because they were dazzled by his virtuosic …

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New Release: Rachel Barton Pine’s Bel Canto Paganini

Violinist Rachel Barton Pine tackles Paganini’s 24 Caprices with virtuosic flair and sonorous ease on her newest album, Bel Canto Paganini. The album’s title highlights the link between Paganini’s music and the “beautiful singing” melodic style of Italian opera composers like Rossini, Bellini, and Verdi. In addition to the Caprices, the two CD set includes a number of bonus tracks: Paganini’s Introduction and Variations on “Nel cor più non mi sento” from Paisiello’s La molinara, Duo merveille, Op. 6 “Duet …

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Paganini Meets Szymanowski

  Niccolò Paganini’s Twenty-four Caprices were written for solo violin between 1802 and 1817. Each features one or two distinct technical challenges for the violin. In 1918 the Polish composer Karol Szymanowski (1882-1937) radically transformed the 20th, 21st and 24th caprices by adding piano accompaniment. Listen to the original Caprice No. 20, which opens with a simple melody accompanied by a D string drone. Then listen to Szymanowski’s slightly haunting version, which drips with an opulent pre-war Viennese …

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