Tag Archives | Aaron Copland

John Henry

According to legend, the African American folk hero John Henry was one of the strongest and fastest steel-driving men to work on the railroads in the post-Civil War era. The steel-driver’s work involved hammering a steel drill into rock. Explosives were placed in the crevice in order to blast away the rock to construct railroad […]

Continue Reading
letters1

Aaron Copland’s “Letter from Home”

Aaron Copland’s Letter from Home seems strangely appropriate for the solemn, reflective spirit of Memorial Day. It’s music filled with distant voices, from the lonely nostalgia of the opening clarinet statement to the plaintive nobility of the solo trumpet, with all of its distant battlefield connotations. This is a piece concerned with memory. Letter from Home was […]

Continue Reading
A youthful Aaron Copland

Copland’s Interlude: A Brief, Hypnotic Dreamscape

In Aaron Copland’s Music for the Theatre, the ghosts of early American popular music come out to play. Opening with a sharp drumroll and a brash, fanfare-like trumpet announcement, the work’s five movements are filled with jazzy melodies, off-balance rhythms, and Burlesque comedy in the form of “wrong” notes and musical “cat and mouse” games. Written in 1925, […]

Continue Reading
Copland, The Tender Land

The Promise of Living: Copland for Labor Day

The Promise of Living, the soaring finale of Aaron Copland’s 1954 opera, The Tender Land, seems vaguely appropriate for Labor Day. Its libretto by Horace Everett (a pseudonym for Erik Johns) evokes the dignity and meaningfulness of labor. Honest work, in this case cultivating the soil of the American heartland and reaping the blessings of a rich harvest, […]

Continue Reading
An art deco travel brochure from the 1920s.

Three Musical Portraits of Cuba

Cuba is home to one of the world’s richest musical melting pots…the vibrant convergence of west African and European (especially Spanish) musical traditions over 500 years of history. From rumba and son cubano to Afro-Cuban jazz and salsa, this Latin musical stew often features dizzying rhythmic complexity while retaining a suave sense of “cool.” Clave rhythm, […]

Continue Reading
R-4004737-1412008444-8505.jpeg

Appalachian Spring: Bernstein and the LA Phil

Aaron Copland’s 1944 ballet score, Appalachian Spring, has already been the subject of two Listeners’ Club posts (here and here). But let’s return to this American masterwork once more and listen to Leonard Bernstein’s 1982 Deutsche Grammophon recording with the Los Angeles Philharmonic. You would be hard pressed to find a more exciting and soulful interpretation of the Appalachian Spring […]

Continue Reading
il_fullxfull.250291853

Old American Songs

Aaron Copland’s Old American Songs are full of ghosts. The collection of folk melodies Copland arranged in the early 1950s, at the request of Benjamin Britten, evokes memories of, and nostalgia for, the distant past. It’s easy to get a similar feeling taking in the small slices of rural American landscape visible in brief glimpses from a moving […]

Continue Reading
American composer Walter Piston (1894-1976)

Walter Piston’s Second Symphony: A Neglected Mid-Century Gem

Walter Piston’s Second Symphony, written in 1943, is one of those mid-twentieth century American musical gems that deserves to be heard more often. Following its National Symphony Orchestra premiere in March, 1944, conductor Hans Kindler declared that the symphony, is without even the shadow of a doubt one of the half dozen great works written during […]

Continue Reading
newsreel

The Manipulative Power of TV News Music

From the ominous minor second “shark motive” in Jaws, to E.T.’s soaring “Flying Theme,” to the terror of Psycho’s blood-stained shower, music plays an obvious role in heightening the drama of our favorite movie scenes. Music has the unique capability to transcend the literal and transport us into the world of metaphor, a place where fundamental truths are most deeply […]

Continue Reading
Deflated-NFL-Football

Pass the (Deflated) Football

The Listeners’ Club isn’t a sports blog, so I have no insight into this weekend’s Super Bowl matchup between the Seattle Seahawks and the New England Patriots. I’ll also leave it to the Columbia University physics department to investigate allegations that the Patriots gained an unfair advantage by using purposely deflated balls. But, in honor of […]

Continue Reading
The Listeners' Club

Send this to a friend