Schubert’s Mysterious Final String Quartet

Slow down, maybe even close your eyes, and listen attentively to Franz Schubert’s hauntingly transcendent final string quartet, No. 15 in G major, D. 887. It’s one of a handful of pieces written in the final years of Schubert’s life that moves into strange, mysterious new territory. Schubert wrote this music in ten days in June of 1826, but it wasn’t until 1851 that it was published, posthumously. During the same time, Beethoven was completing …

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Trio Wanderer’s Fauré Recording

Recently, I’ve been listening to Trio Wanderer’s exceptional 2010 recording of Gabriel Fauré’s Piano Quartets. The members of the all-French trio (violinist Jean-Marc Phillips-Varjabédian, cellist Raphaël Pidoux and pianist Vincent Coq) first performed together as students at the Conservatoire de Paris in the early 1990s. Their background includes studies with the Amadeus Quartet and with Menahem Pressler of the Beaux Arts Trio. Here, they’re joined by violist Antoine Tamestit. The buoyant, suave sense of French style, a wide array of rich …

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Brahms’ Piano Quintet in F Minor

A ferocious, restless energy characterizes Brahms’ Piano Quintet in F Minor, Op. 34. It’s music which is constantly developing and evolving from the smallest motivic seed. At first Brahms wrestled to find the right instrumentation. The music started out as a string quartet, developed into a sonata for two pianos and then, on the recommendation of Clara Schumann, found its true form as a marriage of piano and strings. This evolution is similar to …

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