“Le Secret”: Fauré’s Mystical Art Song

Throughout Gabriel Fauré’s 1879 song, Le Secret, serene, hypnotically repeating chords in the piano toll like an immortal bell. We drift into a detached dreamscape which seems to anticipate the final, time-altering movement of Olivier Messiaen’s Quartet for the End of Time.  The song’s text is a setting of Paul-Armand Silvestre’s poem, Mystère, from the collection, Le pays des roses (1882). Its three stanzas blur the lines between dawn, day, and night. A sense of transcendental mystery is …

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Melodic Siblings: Mozart’s “Dove Sono” and the “Coronation Mass”

It’s one of Mozart’s most serenely beautiful melodies, evoking quiet dignity, nostalgia, and underlying sadness. “Dove sono i bei momenti” is sung by the Countess in Act III of Le nozze di Figaro (The Marriage of Figaro). Amid all of the craziness, scheming, and entanglements of this whirlwind “day of madness,” she pauses to lament her circumstances—loneliness, betrayal, and humiliation as a result of her husband’s serial infidelity. In the shifting stream of consciousness …

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Barbara Bonney: Samuel Barber’s Four Songs, Op. 13

Think twentieth-century music and what comes to mind? Probably the atonal serialism of Arnold Schoenberg, Elliott Carter, Milton Babbitt, or Karlheinz Stockhausen, along with the witty, neoclassical utterances of Stravinsky. But we should never forget that twentieth-century music is also the distinctive, Neo-Romantic voice of American composer Samuel Barber (1910-1981). Perhaps no composer in the twentieth century contributed to the genre of the art song more profoundly than Barber, who seems to have inherited the …

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