Bach’s Unopened Résumé: Brandenburg Concerto No. 6

J.S. Bach’s six Brandenburg Concertos are thrillingly disobedient rule breakers. They are examples of the Baroque concerto grosso form, developed by Italian composers like Vivaldi, in which small groups of solo instruments engage in a vibrant dialogue with the full, large (grosso) ensemble. But they frequently turn this existing model on its head, featuring new, unusual combinations of instruments, and breaking down notions of “prominent” and “supporting” voices. Nowhere is this more apparent …

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