Rubinstein Plays Chopin: Three Legendary Recordings

Today marks the 132nd anniversary of the birth of the Polish-American pianist, Arthur Rubinstein (1887-1982). In its obituary for Rubinstein on December 21, 1982, the New York Times pointed out a remarkable lineage: Undeniably, part of the Rubinstein manner (and mystique) was his pianistic pedigree, which went back to many legendary 19th-century musicians. Rubinstein’s first big-name enthusiast was Joseph Joachim, the violinist friend of Brahms. His early piano training came from Karl Heinrich Barth, a pupil …

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Chopin’s “Barcarolle in F-Sharp Major”: Krystian Zimerman

Frédéric Chopin’s Barcarolle in F-sharp Major, Op. 60 feels dreamy and autumnal. Its serene, wistful, rocking rhythm transports us far beyond the Venetian gondolier associations we might typically expect in a barcarolle. Musical Romanticism is all about the moment, pulling us into the expressive pathos of a single chord. We get a sense of this mysterious process at work as this music unfolds, from the quiet, shimmering transcendence of this passage, to the shifting harmonic …

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A Flash of Operatic Drama in Chopin’s Second Concerto

There’s a strange flash of operatic drama in the middle of the otherwise dreamy second movement of Frédéric Chopin’s Piano Concerto No. 2. It’s a moment which caught my attention recently, while I was playing this piece in the orchestra. Chopin, the Polish virtuoso pianist and Romanticist, isn’t a composer we often associate with opera. But, while living in exile in Paris, following Poland’s unsuccessful 1830 November Uprising against the Russian Empire, Chopin frequently attended …

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