Lonely Broadway, Circa 1946

Here’s an interesting historical coincidence from the golden age of American musical theater: At one fleeting moment in the late 1940s, there were three shows running on (or near) Broadway containing songs with strikingly similar titles. The shows had little in common in terms of style or substance. But the three songs, Lonely Room, Lonely Town, and Lonely House share an obvious, if superficial bond. Lonely Room Lonely Room is a dark soliloquy, occurring near the end …

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Washington’s Birthday

Washington’s Birthday, the first movement of Charles Ives’ Holiday Symphony, emerges out of the desolate, snowy gloom of a midwinter night in rural New England. The music feels strangely amorphous, as if we’ve suddenly slipped into a dream. As we enter this sonic dreamscape, it’s easy to get the sense that we’re joining music already in progress. Who knows where or when it began? Drifting from one hazy moment to the next, we …

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La Folia’s Endless Possibilities

Good composers borrow. Great ones steal. -Igor Stravinsky La Folia, the ancient theme/chord progression which originated in Portuguese dance music as early as 1577, was borrowed (and stolen) by composers throughout the Baroque era. Vivaldi, Scarlatti, Handel, and Jean-Baptiste Lully were among the composers who took advantage of the theme’s endlessly rich musical possibilities. Later composers also paid homage to La Folia. It surfaces briefly at this moment in the second movement of Beethoven’s Fifth Symphony. Franz Liszt included it …

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Pass the (Deflated) Football

The Listeners’ Club isn’t a sports blog, so I have no insight into this weekend’s Super Bowl matchup between the Seattle Seahawks and the New England Patriots. I’ll also leave it to the Columbia University physics department to investigate allegations that the Patriots gained an unfair advantage by using purposely deflated balls. But, in honor of Super Bowl 49, here is Pass the Football from Leonard Bernstein’s 1953 musical, Wonderful Town. The lyrics were written by Betty …

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