The Anxiety of Influence: Beethoven’s Third Piano Concerto

Ah, we shall never be able to do anything like that! Apparently, Beethoven made this remark to the pianist-composer Johann Baptist Cramer after hearing Mozart’s stormy Piano Concerto No. 24 in C minor, a piece we explored last week. Beethoven’s enthusiasm for Mozart’s Concerto is a testament to its sublime, haunting drama and even Romantic foreshadowings. You can hear its influence in the first movement of Beethoven’s Third Piano Concerto, also in C minor. Mozart’s …

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Five Excerpts from Verdi’s “Simon Boccanegra”

The premiere of the first version of Giuseppe Verdi’s three act opera, Simon Boccanegra, took place in Venice on this date (March 12) in 1857. At this first performance, the dark, historical drama, once described by the composer as “too sad and desolate,” was a flop. Verdi returned to the work over twenty years later with an 1881 revision that was more successful. This is the version that is most often heard today. It contains some …

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Symphonic Snapshot: Mahler’s Second

In 2011, Music Director Alan Gilbert and the New York Philharmonic marked the tenth anniversary of the September 11, 2001 terrorist attacks with a free “Concert for New York” at Avery Fisher Hall. The program featured Gustav Mahler’s Symphony No. 2 “Resurrection,” a piece which opens with an anguished funeral march and culminates in a moment of ultimate transfiguration. In the final bars of the fifth movement, the traditional orchestra is suddenly augmented by …

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Remembering Claudio Abbado

Renowned Italian conductor Claudio Abbado passed away yesterday at the age of 80. You can read about his life here. The greatest conductors know exactly what they want the music to sound like. Through unwavering conviction, they inspire the musicians of the orchestra to share their vision. Great conductors don’t practice in front of a mirror to put on a show. Every gesture embodies the essence of the piece in an honest …

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