Josef Gingold: A Rare 1944 Profile

Earlier in the week, a Listeners’ Club reader sent me a fascinating and rare slice of American violin history. Below is music critic Russell McLauchlin’s profile of a 35-year-old Joseph Gingold which appeared in the Detroit Jewish News on December 8, 1940. Gingold had just left Toscanini’s NBC Symphony in New York to become concertmaster of the Detroit Symphony. Within a few years, he would go on to hold the same title with the Cleveland Orchestra …

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Appalachian Spring: Bernstein and the LA Phil

Aaron Copland’s 1944 ballet score, Appalachian Spring, has already been the subject of two Listeners’ Club posts (here and here). But let’s return to this American masterwork once more and listen to Leonard Bernstein’s 1982 Deutsche Grammophon recording with the Los Angeles Philharmonic. You would be hard pressed to find a more exciting and soulful interpretation of the Appalachian Spring Suite, including Copland’s own rendition and Bernstein’s slightly faster “definitive” 1961 recording with the New York Philharmonic. …

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Five Musical Sunrises

Natural cycles, from the change of seasons to the predictable routine of day turning to night, shape our sense of time. Can you imagine how our perception of time, and subsequently music, would be different without these events? Nature’s visual grandeur has also been an inspiration to composers, especially the eternal drama of the sunrise. Here are five musical depictions: [typography font=”Cantarell” size=”28″ size_format=”px”]Haydn’s “Sunrise” String Quartet[/typography] Haydn’s String Quartet in B flat …

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New Electronic Sound Worlds

Violinist Anne Akiko Meyers will join the Richmond Symphony in March to perform a brand new violin concerto by Mason Bates. Born in 1977, Bates, who happens to be a Richmond native, is currently composer in residence with the Chicago Symphony. The Violin Concerto, written for Meyers, was recently premiered by the Pittsburgh Symphony. Learn more about the concerto here and here. One of the most interesting aspects of Bates’s music is the way …

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