Tag Archives | Dies Irae

Hector Berlioz (1803-1869)

Symphonie Fantastique: Berlioz’s Musical Hallucination

Hector Berlioz’s Symphonie fantastique, first heard in 1830, shares some surprising similarities with a teenager’s rock music: It’s shocking, rebellious, and at least partially drug-induced (Berlioz was under the influence of opium). It may have been written to impress a girl (Harriet Smithson, an Irish actress whom Berlioz saw in a production of Hamlet in 1827, leading […]

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romantic-rose

Music of Romantic Obsession

From Vincent Van Gogh to Charlotte Brontë, artists, writers, and composers have occasionally entered the strange, darkly irrational world of romantic obsession. With Halloween approaching, let’s take a walk on the creepy side and explore three pieces which grew out of (what some would call) unhealthy romantic obsessions: Berlioz’ Symphonie fantastique Written partially under the influence of opium, […]

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Gustav Mahler in New York City, 1910

Symphonic Snapshot: Mahler’s Second

In 2011, Music Director Alan Gilbert and the New York Philharmonic marked the tenth anniversary of the September 11, 2001 terrorist attacks with a free “Concert for New York” at Avery Fisher Hall. The program featured Gustav Mahler’s Symphony No. 2 “Resurrection,” a piece which opens with an anguished funeral march and culminates in a moment of […]

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Rachmaninov and conductor Eugene Ormandy during a rehearsal at the Academy of Music in 1938. (from the Philadelphia Orchestra's website).

Rachmaninov and the "Philadelphia Sound"

Above: Rachmaninov and conductor Eugene Ormandy during a rehearsal at the Academy of Music in 1938. (from the Philadelphia Orchestra’s website). Great orchestras develop an institutional collective memory. As conductors and players come and go, they often leave a subtle mark on the sound, style, and soul of the ensemble. New players are assimilated into a dynamic, […]

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La Folia’s Endless Possibilities

Good composers borrow. Great ones steal. -Igor Stravinsky La Folia, the ancient theme/chord progression which originated in Portuguese dance music as early as 1577, was borrowed (and stolen) by composers throughout the Baroque era. Vivaldi, Scarlatti, Handel, and Jean-Baptiste Lully were among the composers who took advantage of the theme’s endlessly rich musical possibilities. Later composers also paid homage to La […]

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The Listeners' Club

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