Mozart’s Piano Concerto No. 24: Mitsuko Uchida, Jeffrey Tate, and the English Chamber Orchestra

Two weeks ago, we explored the uniquely tragic significance of G minor throughout Mozart’s music, from The Magic Flute‘s lamenting aria, “Ach, ich fühl’s,” to the persistent “minor-ness” of Symphony No. 40. Today, I want to take a similar excursion into minor-key Mozart with the Piano Concerto No. 24 in C minor, K. 491. This is one of only two concertos Mozart wrote in a minor key. It provides a dark, stormy counterweight to the bright comedy of The Marriage of …

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With Watch Magazine, Music Meets Marketing

There was a time when major networks, such as CBS and NBC, employed their own orchestras (watch this clip of Arturo Toscanini leading the NBC Symphony) and television shows included a full minute of credits, accompanied by theme music. Revisit the opening of Cheers, compare it to the fast pace of today’s media and consider what we’ve lost. TV theme music allowed for reflection (even if it wasn’t deep reflection) and established the atmosphere of the …

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