Live Concert Recording: Gingold Plays Fauré

Over the weekend, I ran across this amazing 1966 live concert recording of Josef Gingold performing Gabriel Fauré’s First Violin Sonata. The recording’s sound quality isn’t the best. But the essence of Gingold’s soulful, sweetly vibrant tone and smooth, golden phrasing cuts through the tape hiss and audience noise. In a recent interview Joshua Bell described the tone that poured out of Gingold’s Strad as, “the most beautiful sound of any violinist, to …

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Hilary Hahn’s New Album: Mozart and Vieuxtemps

Hilary Hahn released an excellent new recording on March 31. The album pairs Mozart’s Violin Concerto No. 5 in A major, K. 219 with the Violin Concerto No. 4 in D minor, Op. 31 by Belgian virtuoso violinist Henri Vieuxtemps (1820-1881). In the recording’s official trailer, Hahn mentions that she first learned both pieces around the age of 10 as she was entering the Curtis Institute of Music in Philadelphia. There’s also some interesting violin lineage at work: Hahn’s teacher …

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The Brahms Violin Concerto: 8 Great Recordings

Johannes Brahms’ Violin Concerto in D major, Op. 77 stands with Beethoven’s Concerto at the pinnacle of the violin repertoire. No concerto unleashes the soaring, heroic power and poetic potential of the violin more profoundly than Brahms’. It’s music that runs the gamut between smoldering ferocity and tranquil introspection, encompassing a universe of expression. Brahms’ forty-plus year friendship and musical partnership with the German violinist and composer Joseph Joachim (1831-1907) was central to the …

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Paganini’s Catchy Tune

It’s a simple and catchy melody…so memorable and ripe for development that, for over 200 years, composers haven’t been able to stop using it as the inspiration for an unending stream of variations. Set in A minor, the theme of Niccolò Paganini’s Caprice No. 24 bounces between tonic and dominant (scale degrees I and V), before entering a downward sequence which brings the melody home. A series of variations follow, which almost push the …

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