Tag Archives | Franz Liszt

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Christmas Liszt

When considering sacred Christmas music, Franz Liszt probably isn’t the first composer to come to mind. But Liszt, in fact, wrote a strange outlier of a Christmas Oratorio. It forms the first part of the sprawling Christus, composed between 1862 and 1866, which follows the example of Handel’s Messiah, dramatizing the life of Jesus Christ from birth, to passion, […]

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Solitary Liszt

Supreme serenity still remains the Ideal of great Art. The shapes and transitory forms of life are but stages toward this Ideal, which Christ’s religion illuminates with His divine light. -Franz Liszt We often think of Franz Liszt (1811-1886) as a kind of nineteenth century rock star whose piano music is filled with dazzling displays […]

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10 Musical Adaptations of “God Save the Queen”

On Monday, Britain celebrated Queen Elizabeth II’s Sapphire Jubilee, marking her 65 years on the throne. At 90, Her Majesty is the world’s longest-reigning monarch. The milestone reminded me of the nearly 140 composers who have created musical adaptations of God Save the Queen, an ancient melody that may have originated in plainchant long before it was […]

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The Wild Harmonic Adventures of Liszt’s Concert Study No. 3, “Un Sospiro”

On a technical level, Franz Liszt’s Concert Study No. 3 in D-flat Major, “Un Sospiro” is a skillfully delivered magic trick. Its score sprawls onto three musical staves and it sounds as if it requires, at minimum, three large and dexterous hands. But all of these voluptuous tones are played using an amazing slight of hand. The […]

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Gabriela Montero’s New Recording: Rachmaninov and “Ex Patria"

Venezuelan pianist Gabriela Montero is reinvigorating an old tradition: She performs all of the standard repertoire, yet she’s equally dedicated to improvising and performing her own compositions. She infuses her concerts with a refreshing sense of excitement and spontaneity, frequently improvising on melodies volunteered by the audience. The subjects of her improvisations have run the gamut […]

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Violist Kim Kashkashian (photo by Steve Riskind)

Liszt’s "Forgotten Romance" with the Viola

It’s an example of one piece of music “giving birth” to another. In 1880 Franz Liszt’s publisher requested a reprint of a piece Liszt had written in 1848: the Romance in E for piano. The two minute Romance begins and ends in a slightly turbulent E minor. In between, it restlessly moves, first into the relative […]

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Bring on the Wascally Wabbit

The Richmond Symphony season is winding down. But this weekend we’ll be busy performing the popular touring show, Bugs Bunny at the Symphony II with conductor George Daugherty. The show is a tribute to the music of classic Warner Brothers’ cartoons. Generations of viewers gained an exposure to classical music through these zany cartoons, which included: Schoenberg […]

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La Folia’s Endless Possibilities

Good composers borrow. Great ones steal. -Igor Stravinsky La Folia, the ancient theme/chord progression which originated in Portuguese dance music as early as 1577, was borrowed (and stolen) by composers throughout the Baroque era. Vivaldi, Scarlatti, Handel, and Jean-Baptiste Lully were among the composers who took advantage of the theme’s endlessly rich musical possibilities. Later composers also paid homage to La […]

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The Bells of Strasburg: Liszt’s Forgotten Cantata

In Henry Wadsworth Longfellow’s 1851 poem, The Golden Legend, a storm rages as Lucifer and a host of demonic spirits (Powers of the Air) try to tear down the cross from the spire of Strasburg Cathedral. Ultimately, Lucifer is defeated by the ringing of the Gothic cathedral’s bells, which summon saints and guardian angels. This dramatic […]

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Evening Harmonies

Franz Liszt’s Transcendental Étude No. 11,“Harmonies du Soir” is part of a set of twelve demonically difficult technical studies for piano. It appeals to a certain euphoria we feel in the presence of danger…the amusement park ride which seems to be on the verge of spinning out of control, but miraculously never does. In the case of Étude No. […]

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