George Szell and the Cleveland Orchestra: Five Legendary Recordings

In music one must think with the heart and feel with the brain. -George Szell George Szell was music director of the Cleveland Orchestra from 1946 until his death in July, 1970. During that time, the Hungarian-born Jewish-American conductor transformed the orchestra on the industrial shores of Lake Erie into one of the world’s most esteemed ensembles. He created an orchestra with a distinct sound and style- a seamless blend of European warmth, …

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Exploring the Sarabande Over 400 Years

No one seems to be sure, exactly, about the roots of the sarabande as a dance form. It may have originated in Mexico or some other part of Latin America. It was popular in the Spanish colonies during the sixteenth and seventeenth centuries. The zarabanda was first mentioned in a 1593 poem, Vida y tiempo de Maricastaña, written in Panama by Fernando de Guzmán Mejía. As a dance, it was so spicy that it was considered …

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Hamburg’s New Elbphilharmonie: “Here Time Becomes Space”

Here time becomes space. This enigmatic line from Wagner’s Parsifal suggests the transcendent nature of the 1882 work, which dramatizes a twelfth-century knight’s quest for the Holy Grail. Parsifal goes beyond opera, transporting us into a mystical new realm. Foremost, it’s an experience. Appropriately, this line became the theme for last week’s inaugural concerts of Hamburg’s spectacular, new Elbphilharmonie- the long-anticipated home of the NDR Sinfonieorchester (North German Radio Symphony Orchestra), now renamed the NDR Elbphilharmonie Orchestra. In …

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The 2016 Classical Grammys

Here is an overview of the 2016 Grammy Awards in the classical categories, announced earlier this week. The list is dominated by twentieth century music, both familiar and obscure. Several of the albums are live concert recordings. Best Orchestral Performance This is Andris Nelsons’ inaugural recording as Music Director of the Boston Symphony. The album includes Shostakovich’s Symphony No. 10 (a work we discussed in this past Listeners’ Club post) and the haunting Passacaglia from Shostakovich’s opera, Lady …

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