Tag Archives | Henryk Szeryng

George Enescu

Pugnani’s Largo Espressivo: Three Classic Recordings

Chances are good that you’ve never heard of Gaetano Pugnani (1731-1798). The eighteenth century Italian violinist and composer of numerous chamber works and operas has long been overshadowed by his more esteemed contemporaries, Mozart and Haydn. He may be most famous for a piece he didn’t even write: Fritz Kreisler’s Preludium and Allegro, a showpiece originally […]

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The Brahms Violin Concerto: 8 Great Recordings

Johannes Brahms’ Violin Concerto in D major, Op. 77 stands with Beethoven’s Concerto at the pinnacle of the violin repertoire. No concerto unleashes the soaring, heroic power and poetic potential of the violin more profoundly than Brahms’. It’s music that runs the gamut between smoldering ferocity and tranquil introspection, encompassing a universe of expression. Brahms’ forty-plus year […]

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violinist and pedagoge Carl Flesch (1873-1944)

Happy Birthday, Carl Flesch

Yesterday marked the anniversary of the birth of influential Hungarian-born violinist and pedagogue Carl Flesch (1873-1944). As a teacher, Flesch produced some of the twentieth century’s most notable violinists, including Henryk Szeryng, Ginette Neveu, Josef Hassid, Ivry Gitlis, and Ida Haendel. His book, Art of Violin Playing and his Scale System are still used today. Boris Schwartz, […]

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Hiro Kurosaki's recording of Handel Sonatas

Hiro Kurosaki Plays Handel

You may be familiar with classic recordings of George Frideric Handel’s Violin Sonatas by Isaac Stern, Nathan Milstein, Henryk Szeryng and Szymon Goldberg. For the most part, they’re all Romantic performances, emphasizing a large, singing tone and lots of vibrato. For a slightly different take, add to the list an excellent 2003 Baroque recording by violinist Hiro Kurosaki and harpsichordist William […]

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Vivaldi's Concerto in A Minor

Antonio Vivaldi’s Concerto in A minor, Op. 3, No. 6 is well known to all Suzuki violin students. Vivaldi (1678-1741) contributed to the development of the violin as a solo instrument, dazzling audiences throughout Europe with shocking new sounds. He wrote over 500 concertos. For many years Vivaldi also directed the female music ensemble at Ospedale della Pietà, a […]

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La Folia

Suzuki violin students learn Arcangelo Corelli’s La Folia in Book 6. La Folia was a popular chord progression which many Renaissance and Baroque composers used as the foundation for variations and improvisation. It originated in the dance music of Portugal. Corelli’s ability to develop new music from this existing harmony might remind you of the way jazz […]

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The Listeners' Club

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