Tag Archives | J.S. Bach

Exploring the Sarabande Over 400 Years

No one seems to be sure, exactly, about the roots of the sarabande as a dance form. It may have originated in Mexico or some other part of Latin America. It was popular in the Spanish colonies during the sixteenth and seventeenth centuries. The zarabanda was first mentioned in a 1593 poem, Vida y tiempo de Maricastaña, written […]

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Bach’s “Erbarme dich, mein Gott”

This week we’ll explore music inspired by Good Friday and Easter, both sacred and secular. We’ll start in one of the most sublime and powerful corners of J.S. Bach’s St. Matthew Passion: the alto aria, Erbarme dich, mein Gott (“Have mercy Lord, My God, for the sake of my tears”). In the drama, this aria reflects Peter’s solitary […]

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New Release: Rafal Blechacz Plays Bach

Johann Sebastian Bach is the simple but fitting title of a new album by 31-year-old Polish pianist Rafał Blechacz. The recording, released in February, features Bach’s Italian Concerto, Partita Nos. 1 and 3, Fantasia and Fugue In A Minor BWV 944, and the seldom-heard Four Duets BWV 802-805. (Blechacz offers this description of the Duets). British pianist Myra Hess’ arrangement of Jesus, Joy Of Man’s […]

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New Release: Bach’s St. Matthew Passion, John Eliot Gardiner

Each time we explore Bach’s music we feel as if we have traveled great distances to, and through, a remote but entrancing soundscape. -Sir John Eliot Gardiner An exciting new recording of Bach’s St. Matthew Passion was released last Friday. Sir John Eliot Gardiner leads the Monteverdi Choir (an ensemble he founded in 1964), the Trinity Boys Choir, the English […]

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Heinrich Schiff

Remembering Heinrich Schiff

The world-renowned Austrian cellist and conductor Heinrich Schiff passed away on Friday. He was 65. Schiff leaves behind an extensive recorded legacy, including cello concertos of Vivaldi and Haydn, the Brahms Double Concerto with violinist Frank Peter Zimmermann, and the Shostakovich Cello Concertos, conducted by Maxim Shostakovich (the composer’s son). In 1971, he gave one of the earliest performances of the haunting Cello Concerto by […]

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Murray Perahia, Piano

New Release: Murray Perahia Plays Bach’s French Suites

Pianist Murray Perahia’s newest album features J.S. Bach’s six French Suites, written between 1722 and 1725. This is Perahia’s first release on the Deutsche Grammophon label, following a 43-year relationship with Sony Classics and its predecessor, Columbia Masterworks. In the recording’s trailer, he describes the French Suites as “Bach on the highest level”- “delicate” and infused with French mannerisms such […]

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Rachel Podger’s Recent Bach Exploits

Last week, English violinist, conductor, and Baroque specialist Rachel Podger released a recording of J.S. Bach’s The Art of Fugue with members of Brecon Baroque, the dynamic ensemble she founded in 2007. You can hear an excerpt from the recording here. This is the latest in a series of acclaimed Bach recordings Podger has made on the Channel […]

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Mark Kaplan

Mark Kaplan’s Solo Bach Recording

If you’re looking for rare treasures in the form of recent classical music releases, try hanging around your local classical radio host. A few days ago, as the announcers at my local public radio station were clearing their archives of duplicate promotional recordings, I ran across Mark Kaplan’s March release of J.S. Bach’s Sonatas and […]

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New Release: Maya Beiser’s TranceClassical

The sounds of the twenty-first century are largely electronic and computer processed. In this environment, a recording can become a work of art in its own right, not just a feeble attempt to recreate a live concert experience. I was reminded of this over the past few days as I sampled cellist Maya Beiser’s newly-released […]

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Daniel Stepner Plays Solo Bach

On Monday, we ventured into the monumental preludes and fugues of J.S. Bach’s The Well-Tempered Clavier. Let’s finish the week with an excerpt from Daniel Stepner’s 2013 Centaur Records release of Bach’s Sonatas and Partitas for Solo Violin. Stepner offers period performances of these works, tuning to the lowered A of Bach’s time, and using three fine old […]

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