Bruch’s “Scottish Fantasy”: Two Legendary Heifetz Recordings

The German composer, Max Bruch (1838-1920), had a longstanding fascination with the “exotic” culture and rugged, enchanting topography of Scotland. Bruch read German translations of the novels of Sir Walter Scott and created musical settings for several poems by Robert Burns. The Scots Musical Museum was an influential collection of Scottish folk music which was compiled by Burns and the engraver and publisher, James Johnson, between 1787 and 1803. In addition to inspiring …

Read more

Tchaikovsky’s Violin Concerto: Oistrakh, Milstein, Heifetz

Tchaikovsky’s Violin Concerto in D Major has long held a cherished position in the musical canon. Yet, the value of this popular work was not always appreciated. Following the premiere on December 4, 1881, performed by the Russian violinist Adolph Brodsky with Hans Richter leading the Vienna Philharmonic, the influential critic Eduard Hanslick wrote savagely, “Tchaikovsky is surely no ordinary talent, but rather, an inflated one…lacking discrimination and taste.” He continued, “The same …

Read more

Heifetz in Hollywood: Miklós Rózsa’s Violin Concerto

Miklós Rózsa’s career as a composer was built on a fascinating dichotomy. Beginning in 1937, Rózsa produced some of the twentieth century’s most memorable and spacious film scores, including the Arabian fantasy The Thief of Bagdad (1940), the Alfred Hitchcock film noir psychological thriller Spellbound (1945), and the epic historical drama Ben-Hur (1959). The composer, who emigrated to the United States from his native Hungary in 1940, also created numerous enduring concert works, infused with …

Read more

Henri Vieuxtemps at 200: Historic Recordings of Heifetz and Nadien

Today marks the 200th anniversary of the birth of the great Belgian violinist and composer, Henri Vieuxtemps (1820-1881). A student of Charles Auguste de Bériot, Vieuxtemps toured Europe as a young prodigy, attracting the attention of Louis Spohr, Schumann, Berlioz, and Paganini. At the age of 14, he learned Beethoven’s Violin Concerto in two weeks and performed it in Vienna. As unimaginable as it may seem now, this cornerstone of the violin repertoire was a …

Read more

Jascha Heifetz in Concert: Five Amazing Clips

There is no top. There are always farther heights to reach. If one thought himself at the pinnacle, he would slide back toward mediocrity by that very belief in his success. -Jascha Heifetz Watch performance clips of Jascha Heifetz (1901-1987), and you may get a vague sense of the supernatural. Is Heifetz playing the violin or is some much larger force at work, playing through him? A searing, highly-controlled energy and a fearless …

Read more

Vitali’s Chaconne: Five Classic Recordings

The origin of the famous Chaconne in G minor, attributed to Italian baroque composer Tomaso Antonio Vitali (1663-1745), remains something of an enigma. The score was discovered and published by the German violinist Ferdinand David in 1867. David premiered Mendelssohn’s Violin Concerto and his version of the Chaconne includes a quote of the Concerto in the piano accompaniment. There was speculation that David wrote the Chaconne, mainly because its far-reaching harmonic modulations seem so foreign to the baroque language …

Read more

Hugh Sung Launches "A Musical Life" Podcasts

  Korean-American pianist Hugh Sung can be described as a musical Renaissance man. A graduate of the Curtis Institute of Music, Sung has performed throughout the world, collaborating with soloists such as Hilary Hahn, Leila Josefowicz, and Julius Baker, longtime principal flutist with the New York Philharmonic. As a techie and entrepreneur, Hugh Sung was one of the first professional musicians to imagine performances utilizing digital music scores (beginning with Microsoft’s Tablet …

Read more

Send this to a friend