Louis Lortie Plays Ravel

Last week we listened to Maurice Ravel’s Le Tombeau de Couperin, a piece which originated as a solo piano suite and culminated as a breathtakingly colorful orchestral work. Many of Ravel’s works followed this evolution. His glistening, Impressionistic orchestration even extended to Modest Mussorgsky’s Pictures at an Exhibition, a work also originally for solo piano. Let’s return to Ravel the pianist with a few excerpts from French-Canadian pianist Louis Lortie’s 2003 recording (on the Chandos label), Ravel’s …

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Le Tombeau de Couperin: Post-Apocalyptic Ravel

Listening to Maurice Ravel’s Le Tombeau de Couperin, it’s easy to get a sense of altered reality. Outwardly, the original six movement suite, written for solo piano, responds to the horrors and devastation of the First World War, a conflict Ravel experienced first hand as a military ambulance driver. Ravel dedicated each movement of the work, written between 1914 and 1917, to the memory of a friend lost on the battlefield. But, interestingly, …

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