Mahler and the Cuckoo

Even as a child I was struck by birdsong. -Gustav Mahler The call of the cuckoo, often associated with spring, has long inspired composers. For example, the cuckoo’s harmonious falling major third can be heard in Handel’s Organ Concerto No.13 in F Major, the second movement of Beethoven’s “Pastoral” Symphony, and Frederick Delius’ shimmering 1912 tone poem, On Hearing the First Cuckoo in Spring. The cuckoo’s call also finds its way into the music of Gustav …

Read moreMahler and the Cuckoo

Walking in the Footsteps of Mahler with Three Historic Recordings

Today, we meet Mahler. More accurately, we take a walk in the composer’s footsteps, indirectly, through the historic recordings of two of his closest protégés, soprano Anna von Mildenburg and conductor Bruno Walter. One brief fragment from 1904 is the only existing document of the eminent Austrian Wagnerian soprano, Anna von Mildenburg (1872-1947), pictured above. At the age of 23, Mildenburg made her debut under Mahler’s baton at the Hamburg State Opera, singing the role …

Read moreWalking in the Footsteps of Mahler with Three Historic Recordings

Mahler’s Final, Haunting “Wunderhorn” Songs: “Revelge” and “Der Tamboursg’sell”

In Monday’s post, we listened to Gustav Mahler’s Fourth Symphony, a work which grew out of the 1892 song, “Das himmlische Leben” (“The Heavenly Life”). The Symphony was written primarily during the summers of 1899 and 1900 shortly after Mahler was appointed director of the Vienna Court Opera. As a follow up, let’s listen to two songs which compositionally bookend the Fourth Symphony- Revelge (“The Dead Drummer), composed in July of 1899, and Der Tambourg’sell (“The …

Read moreMahler’s Final, Haunting “Wunderhorn” Songs: “Revelge” and “Der Tamboursg’sell”

The “Philadelphia Sound” in Five Historic Recordings

These days, the professional orchestra world is characterized by unparalleled technical skill, dutiful attention to historically-informed performance practice, and a general homogenization of sound and style. Musicians are expected to transition, instantly and seamlessly, from the lush Romanticism of Tchaikovsky to the lean purity of Mozart, with the mixed meters of Stravinsky and John Adams thrown in for good measure. In many ways, it’s the best of times. Perhaps what has been …

Read moreThe “Philadelphia Sound” in Five Historic Recordings

Esa-Pekka Salonen Featured in Apple Ad

Finnish composer and conductor Esa-Pekka Salonen has been an enthusiastic fan of Apple products for a while. In 2012 he helped develop the Orchestra app, designed as an exciting resource to demystify classical music for a new, tech-savy generation. Now he is featured in Apple’s new “Your Verse” iPad campaign. This website shows how the iPad has become an important tool for Salonen as a composer and performer. Alex Ross talks about the …

Read moreEsa-Pekka Salonen Featured in Apple Ad

Decoration Day

Listen closely to Charles Ives’ Decoration Day and you may hear the lament of the dead.* The piece evokes ghosts of the battlefield and the distant echoes of small town New England observances of Decoration Day, the solemn American holiday of remembrance, started in the aftermath of the Civil War. It’s the holiday we now know as Memorial Day. Decoration Day is the second movement of Ives’ four movement Holidays Symphony, written between 1897 …

Read moreDecoration Day

Late Beethoven Revelations

The greatest composers serve as visionaries and prophets, giving us a glimpse at a higher reality. Looking back through music history, many composers seem to have experienced a sharpening of this sense of vision in the final years of life. The Ninth and final symphonies of Mahler and Bruckner are filled with mystery, foreboding and spirituality. The first movement of Bruckner’s Ninth is marked “Feierlich“ (Solemn) and ” misterioso.” Schubert’s Ninth Symphony, “The Great”, is a sublime …

Read moreLate Beethoven Revelations

Send this to a friend