Five Excerpts from Donizetti’s “Lucia di Lammermoor”

Recently, I’ve been playing Donizetti’s Lucia di Lammermoor with Virginia Opera. The dark plot of the tragic opera in three acts, first performed in Naples in 1835, lends itself to spectacular musical drama. The title character is coerced into an arranged marriage, although she loves another man. On her wedding night, she fatally stabs her husband and descends into insanity. All of this mayhem is set amid some of the most beautiful and memorable melodies …

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An Electrifying Oberon in Berlin

In the clip below, conductor Mariss Jansons leads the Berlin Philharmonic in a spectacular and rousing performance of the overture to the opera Oberon by Carl Maria von Weber. Weber’s music contains some of the earliest seeds of Romanticism. His orchestration was new and innovative. It mixed tonal colors in exciting ways and expanded the size and power of the orchestra. (Notice the trombones, which were a relatively new addition at the …

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How to Sing Rossini

Conductor Sir Mark Elder shares some interesting insights on the music of Rossini in this recent masterclass at London’s Royal Opera House. Elder coaches mezzo-soprano Rachel Kelly, who sings Rosina’s cavatina, “Una voce poco fa,” from Act 1, scene II of The Barber of Seville.  According to Elder, rhythm is the key element of Rossini’s music. The energy of the rhythmic motor keeps the music alive and infuses it with style. Pulse equals life. Elder …

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