Bach’s Orchestral Suite No. 4 in D Major, The Netherlands Bach Society

“This Suite laughs, dances, swings,” says Danish harpsichordist and conductor Lars Ulrik Mortensen in his brief but fascinating overview of J.S. Bach’s Orchestral Suite No. 4 in D Major, BWV 1069. Indeed, this infectious collection of contrasting baroque dances, composed sometime around 1730, is some of the most joyful and exhilarating music ever imagined. As Mortensen points out, Bach must have associated this music with “laughter, joy, and rapture,” because he used the opening …

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Musical Beginnings

Think about the way your favorite piece begins. From the ferocious opening four notes of Beethoven’s Fifth Symphony, which form the DNA for the entire symphony that follows, to the quiet, mysterious tremolos of Bruckner’s symphonies, to the attention grabbing (and audience quieting) opening fanfares of Rossini’s opera overtures, the way a piece starts tells us a lot about what will follow. As you jump, grudgingly tip toe or stride boldly into 2014, listen …

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