Saint-Saëns’ Third Symphony, “With Organ”: Scaling the Summit

Following the completion of his Third Symphony in 1886, Camille Saint-Saëns made the following statement: I gave everything to it I was able to give. What I have here accomplished, I will never achieve again. Indeed, Symphony No. 3 in C minor takes us on an extraordinary dramatic journey which scales a mighty summit. It augments the sound world of the traditional orchestra with the addition of piano (four hands) and organ. …

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Disney’s Debt to Camille Saint-Saëns

Over the weekend, I played Camille Saint-Saëns’ The Carnival of the Animals, the zany chamber orchestra work which has found its way into the children’s canon alongside Prokofiev’s Peter and the Wolf and Britten’s Young Person’s Guide to the Orchestra. The suite’s thirteenth movement, The Swan, is surely Saint-Saëns’ most recognizable music, a reality which probably wouldn’t have pleased the French Romanticist. For Saint-Saëns, writing The Carnival of the Animals was lighthearted fun, and perhaps self-therapy, after an unsuccessful …

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The Baltimore Symphony Turns 100

Tomorrow marks the 100th anniversary of the Baltimore Symphony Orchestra. Following a few seasons of informal performances in the 1890s, the orchestra played its first official concert on February 11, 1916. It began as the country’s first municipal orchestra, funded for 26 years by the City of Baltimore. In 1942, the BSO separated from the City to become an independent entity. The Baltimore Symphony’s season-long celebration includes a concert tomorrow featuring Joshua …

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