Developing Motives

Like Beethoven, Johannes Brahms approached music motivically. Listen to Brahms’s Intermezzo in A Major, Op. 118, No. 2 and pay attention to the first three notes. The entire piece develops organically from this small, seemingly insignificant musical cell. These three notes and the underlying harmony set up a musical question in search of an answer…a problem to be resolved. The next three notes reach further, heightening expectation. Can you sense an evolving process …

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