Tag Archives | Romeo and Juliet

Yannick Nézet-Séguin

Yannick Nézet-Séguin Heads to the Met

Last week, it was announced that the 41-year-old Canadian conductor, Yannick Nézet-Séguin, will succeed James Levine as music director of the Metropolitan Opera. The jet set Nézet-Séguin is currently music director of the Philadelphia Orchestra and Montreal’s Orchestre Métropolitain. In 2018, he will complete his tenure as principal conductor of the Rotterdam Philharmonic Orchestra. Yannick Nézet-Séguin has brought […]

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The Mandolin Dance from Prokofiev's Romeo and Juliet at the Royal Ballet

Valentine’s Day with Mandolins

  My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite. -William Shakespeare, Romeo and Juliet In celebration of Valentine’s Day, here is the quirky Dance with Mandolins from Act II of Sergei Prokofiev’s 1935 ballet score, Romeo and Juliet, Op. 64. Given […]

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violinist Oleh Krysa

From Russia With Love

  From Russia With Love is a collection of violin and piano miniatures, recorded by violinist Oleh Krysa and pianist Tatiana Tchekina. The CD focuses on Russian composers, including Tchaikovsky, Rachmaninov, Prokofiev, and Stravinsky. Here are a few spectacular excerpts from the CD: A transcription of Masks from Sergei Prokofiev’s ballet, Romeo and Juliet: The haunting waltz from Prokofiev’s ballet, Cinderella, arranged […]

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William Shakespeare

Music Inspired by Shakespeare

Historians believe that today marks the 450th birthday of William Shakespeare. Throughout history, Shakespeare’s plays have been a rich source of inspiration for composers. A few months ago we heard Tchaikovsky’s Romeo and Juliet tone poem. Now let’s celebrate with some more music inspired by the Bard of Avon: Play, music! And you, brides and […]

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Romeo and Juliet

Tchaikovsky’s Romeo and Juliet

Shakespeare’s Romeo and Juliet has inspired composers from Berlioz to Prokofiev to David Diamond. One of this timeless tragedy’s most popular musical depictions was composed by the 28-year-old Pyotr Ilyich Tchaikovsky (1840-1893). Tchaikovsky called the work an Overture-Fantasy, but it can also be considered a tone poem. Let’s listen to a live performance with the London Symphony […]

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The Listeners' Club

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