This Scherzo is No Joke

In Italian, the word “scherzo” means “joke” or “jest.” Theodore Baker’s Schirmer Pronouncing Pocket Manual of Musical Terms (an invaluable resource my first violin teacher recommended to me as a child) defines the musical scherzo as 1. An instrumental piece of a light, piquant, humorous character. 2. A vivacious movement in a symphony, with strongly marked rhythm and sharp and unexpected contrasts in rhythm and harmony; usually the third movement. There are a host of pieces which fit these …

Read moreThis Scherzo is No Joke

The 2019 Classical Grammys

The 61st Annual Grammy Awards ceremony took place in Los Angeles yesterday. Here are excerpts from the winning albums in the classical categories: Best Orchestral Performance This recording is the latest installment in a Shostakovich cycle featuring Nelsons and the Boston Symphony. Earlier recordings in the set won in the same category in the 2016 and 2017 Grammys. Additionally, this recording was awarded Best Engineered Album, Classical (Shawn Murphy and Nick Squire, engineers; …

Read moreThe 2019 Classical Grammys

Exploring the Prolation Canon

There is an interesting passage about four and a half minutes into the first movement of Shostakovich’s Symphony No. 15 which may have caught your ear if you dropped by for Wednesday’s post: Did you hear that wandering, chromatic line which begins in the violins? Two additional lower string voices enter in succession with the same line at consecutively slower rates of speed. For a moment, before the episode is cut off by the …

Read moreExploring the Prolation Canon

Shostakovich’s Fifteenth Symphony: An Unsolvable Enigma?

“What does it mean?” You may find yourself asking this question as you listen to Dmitri Shostakovich’s Symphony No. 15 in A Major. This final Shostakovich Symphony, written in a little over a month during the summer of 1971 as the composer faced declining health, is filled with persistent and unsettling ambiguity. First, there are the strange, inexplicable quotes and fleeting allusions to music of earlier composers, as well as cryptic references to Shostakovich’s previous …

Read moreShostakovich’s Fifteenth Symphony: An Unsolvable Enigma?

Remembering Gennady Rozhdestvensky

The esteemed Russian conductor Gennady Rozhdestvensky passed away last Saturday. He was 87. Following studies at the Moscow Conservatory, Rozhdestvensky made his conducting debut at the age of 20 at the Bolshoi Theatre with Tchaikovsky’s The Nutcracker. He went on to lead the BBC Symphony Orchestra (1978-1981), the USSR Ministry of Culture Orchestra (1983-1991) and the Royal Stockholm Philharmonic (1992-1995), among other ensembles. Rozhdestvensky will be remembered for his associations with some of the …

Read moreRemembering Gennady Rozhdestvensky

Bach’s “Passacaglia and Fugue in C Minor” and the Power of Repetition

A simple idea or statement, persistently repeated, can take on a unique power. The idea seems to come alive, gradually seeping into our consciousness and demanding our attention and respect. Perhaps this is part of the profound magic of J.S. Bach’s Passacaglia and Fugue in C minor, BWV 582, written sometime between 1706 and 1713 when the composer was in his early twenties. It begins with that simple, repeating statement- a quietly unassuming, stepping passacaglia …

Read moreBach’s “Passacaglia and Fugue in C Minor” and the Power of Repetition

The 2018 Classical Grammys

We’ll finish the week with an overview of last Sunday’s 60th Annual Grammy Awards in the classical categories. As you’ll see below, it was a good night for Second Viennese twentieth century composer, Alban Berg. Best Orchestral Performance This album was recorded live in June (Shostakovich) and October (Barber) of 2013. It’s the second Pittsburgh Symphony album to be honored with a Grammy. (The first came in 1992). The album was also a …

Read moreThe 2018 Classical Grammys

Send this to a friend