Stravinsky’s Jazz-Inspired “Ebony Concerto”

Earlier in the month, we listened to Leonard Bernstein’s 1949 Prelude, Fugue, and Riffs, a uniquely-American hybrid of classical music and jazz, written for Woody Herman’s big band. (Due to the band’s 1946 dissolution, Benny Goodman gave the piece’s premiere). This reminded me of the Ebony Concerto, a similarly jazz-inspired work written for Herman by Igor Stravinsky a few years earlier in 1945. Stravinsky developed a fascination with jazz as early as 1916 when he said, I …

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Time For Three’s “Firework” Cover

The eclectic string trio, Time For Three isn’t interested in categories. The original members, violinists Nick Kendall and Zachary DePue and double bassist Ranaan Meyer, began jamming together as students at the Curtis Institute of Music in Philadelphia. The result was a vibrant and free-flowing mix of musical styles and genres, including bluegrass, jazz, rock, and hip-hop. This “classically trained garage band” continued to perform together after Curtis, although DePue left to become concertmaster of the Indianapolis …

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Five Musical Fireworks

It’s ironic that Independence Day in America isn’t complete without Tchaikovsky’s most famous ode to Russian nationalism: the bombastic 1812 Overture, which was written to commemorate the defeat of Napoleon’s invading army. As we head into the July Fourth holiday weekend, here are five more pieces that bring fireworks to mind: Handel: Music for the Royal Fireworks In 1749, England’s King George II employed Handel to write music for a large, outdoor public celebration in …

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Dmitry Sinkovsky’s Hardcore Vivaldi

  There’s an old joke that Antonio Vivaldi didn’t write 500 concertos, he wrote the same concerto 500 times. Vivaldi’s own performances were undoubtedly infused with a virtuosic freedom and sense of spontaneity that grew out of improvisation and ornamentation. Robbed of these elements, modern performances of Vivaldi can sometimes sound formulaic, like bland elevator music. But if you want to hear just how exciting and adventurous Vivaldi’s music can be, listen …

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The Atlanta Symphony: A Tradition in Jeopardy

You could almost hear the classical music world’s collective groan on Sunday as the Atlanta Symphony became the latest orchestra to impose a lockout on its musicians. The lockout went into effect after both sides were unable to agree to a contract by an 11:59 Saturday deadline. This follows last year’s fifteen month long Minnesota Orchestra lockout, which resulted in the departure of the music director, executive director and numerous musicians. At Adaptistration, …

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Late Beethoven Revelations

The greatest composers serve as visionaries and prophets, giving us a glimpse at a higher reality. Looking back through music history, many composers seem to have experienced a sharpening of this sense of vision in the final years of life. The Ninth and final symphonies of Mahler and Bruckner are filled with mystery, foreboding and spirituality. The first movement of Bruckner’s Ninth is marked “Feierlich“ (Solemn) and ” misterioso.” Schubert’s Ninth Symphony, “The Great”, is a sublime …

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An Orchestra and Its Community

Great orchestras gradually develop a unique sound and style of playing. This process takes place over time as conductors come and go, leaving their mark and new players are gradually assimilated. In the days when I was traveling between many orchestras as a free-lance violinist I could sense the “soul” of each organization. The ongoing lockout at the Minnesota Orchestra is tragic and frightening because it may ultimately show how quickly a …

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