Eight Pieces Based on the Dies Irae

Last week, we explored two pieces which bookend the musical output of Sergei Rachmaninov- the First Symphony, which Rachmaninov wrote at the age of 22, and the Symphonic Dances, his “last spark,” completed in 1940. The Dies irae, the ancient chant of the dead, emerges as a prominent presence in both works. It’s a motive that returns throughout Rachmaninov’s music with haunting regularity. We hear it in The Isle of the Dead, The Bells, and the Rhapsody on a Theme of Paganini, where it …

Read moreEight Pieces Based on the Dies Irae

Symphonie Fantastique: Berlioz’s Musical Hallucination

Hector Berlioz’s Symphonie fantastique, first heard in 1830, shares some surprising similarities with a teenager’s rock music: It’s shocking, rebellious, and at least partially drug-induced (Berlioz was under the influence of opium). It may have been written to impress a girl (Harriet Smithson, an Irish actress whom Berlioz saw in a production of Hamlet in 1827, leading to an infatuation and ultimately short-lived marriage). It deals with the pain of unrequited love, yet this …

Read moreSymphonie Fantastique: Berlioz’s Musical Hallucination

Music of Romantic Obsession

From Vincent Van Gogh to Charlotte Brontë, artists, writers, and composers have occasionally entered the strange, darkly irrational world of romantic obsession. With Halloween approaching, let’s take a walk on the creepy side and explore three pieces which grew out of (what some would call) unhealthy romantic obsessions: Berlioz’ Symphonie fantastique Written partially under the influence of opium, Hector Berlioz’ Symphonie fantastique takes us into strange, hallucinogenic territory. It summons new sounds from the orchestra, which must …

Read moreMusic of Romantic Obsession

Send this to a friend