Tag Archives | Tchaikovsky

Tchaikovsky

Tchaikovsky, From Elation to Despair

Over the weekend, I found myself returning to Friday’s post to listen to Ja vas lyublyu, the famous aria from the second act of Tchaikovsky’s opera, The Queen of Spades. It occurred to me that the aria’s progression from soaring passion to gloomy despair is echoed throughout many of Tchaikovsky’s works. In many cases, this dichotomy of elation and despair relates […]

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Remembering Dmitri Hvorostovsky

The Russian operatic baritone Dmitri Hvorostovsky passed away this week following a two-and-a-half-year battle with brain cancer. He was 55. Here are some highlights from his distinguished career: In the aria, Ja vas lyublyu, from the second act of Tchaikovsky’s The Queen of Spades, Prince Yeletsky pours out his love for Liza while lamenting her inability to trust him fully. Listen […]

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Aida Garifullina

Aida Garifullina: Maria’s Lullaby from Tchaikovsky’s “Mazeppa”

Over the past few weeks, we have explored a few of the albums honored with a 2017 ECHO Klassik- Germany’s prestigious annual classical music awards. Today, we’ll turn our attention to the debut album of Russian operatic soprano Aida Garifullina. The recording, simply titled Aida Garifullina, won in the category of “Solo Recording/Voice (Arias/Recitals).” It’s a compilation of […]

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“Francesca da Rimini”: Tchaikovsky’s Turbulent, Dante-Inspired Tone Poem

Francesca da Rimini, Tchaikovsky’s turbulent orchestral tone poem, begins at the entrance of Hell. Following a ferocious flash in the low strings and the haunting overtones of the tamtam, a grim, quietly grating brass statement almost seems to intone the ominous words from Dante’s Divine Comedy: “Abandon all hope, you who enter here.” In these opening bars, which Tchaikovsky […]

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Tchaikovsky’s Fateful Fourth Symphony

It begins with one of the most powerful, bold, and memorable statements in all of symphonic music. Tchaikovsky’s Symphony No. 4 in F minor opens with a blazing fanfare, first heard as a piercingly metallic proclamation in the horns and then augmented by trombones and soaring trumpets. Regarding this opening, Tchaikovsky wrote, The introduction is the seed of the whole […]

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HSQ3-1

The Hollywood String Quartet: Five Classic Recordings

The Hollywood String Quartet, formed in 1939 and active until 1961, is regarded as the first American-born chamber music group to rise to international prominence. Their fame was due, in large part, to their numerous and exceptional recordings. The members were all studio musicians who created the lush, glowing soundtracks of Hollywood’s “golden age.” First […]

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In this photo provided by La Scala theatre press office Thursday, May 5, 2005, Russian conductor Semyon Bychkov is shown in a undated filer. Bychkov will direct Richard Strauss' opera "Elektra",  scheduled to go on stage at the Milan Arcimboldi theater, Saturday, May 7, 2005. (AP Photo/Thomas Kost/La Scala)

Semyon Bychkov on “The Tchaikovsky Project”

This weekend, Russian conductor Semyon Bychkov leads the New York Philharmonic in a festival called Beloved Friend: Tchaikovsky and His World. It’s a small piece of The Tchaikovsky Project, which includes a cycle of recordings, released on the Decca label, featuring Bychkov and the Czech Philharmonic. In a recent interview, Bychkov talked about the project with Richmond Public Radio’s Mike Goldberg. […]

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batiashvili

New Release: Lisa Batiashvili plays Tchaikovsky, Sibelius

Georgian-born violinist Lisa Batiashvili’s newest album offers a surprisingly fresh take on two standard pillars of the violin repertoire- the Tchaikovsky and Sibelius Concertos. Batiashvili is joined by conductor Daniel Barenboim and the Staatskapelle Berlin on this Deutsche Grammophon recording. Batiashvili’s interpretation of the Tchaikovsky is full of fluid tempo changes. It’s generally more contemplative than the classic performances of Heifetz […]

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Renee Fleming

The Letter Scene from Eugene Onegin

Forget about emails and text messages. When it comes to opera, it’s the handwritten letter, with all of its tactile emotional significance, which emerges occasionally as a dramatic device. There’s the famous “Letter Duet” from the third act of Mozart’s The Marriage of Figaro, in which Countess Almaviva dictates to Susanna, who repeats the lines as she writes. […]

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Yannick Nézet-Séguin

Yannick Nézet-Séguin Heads to the Met

Last week, it was announced that the 41-year-old Canadian conductor, Yannick Nézet-Séguin, will succeed James Levine as music director of the Metropolitan Opera. The jet set Nézet-Séguin is currently music director of the Philadelphia Orchestra and Montreal’s Orchestre Métropolitain. In 2018, he will complete his tenure as principal conductor of the Rotterdam Philharmonic Orchestra. Yannick Nézet-Séguin has brought […]

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