Liszt’s "Forgotten Romance" with the Viola

It’s an example of one piece of music “giving birth” to another. In 1880 Franz Liszt’s publisher requested a reprint of a piece Liszt had written in 1848: the Romance in E for piano. The two minute Romance begins and ends in a slightly turbulent E minor. In between, it restlessly moves, first into the relative major key of G and then flirts with a distant and ultimately unattainable A-flat major. At this …

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Trio Wanderer’s Fauré Recording

Recently, I’ve been listening to Trio Wanderer’s exceptional 2010 recording of Gabriel Fauré’s Piano Quartets. The members of the all-French trio (violinist Jean-Marc Phillips-Varjabédian, cellist Raphaël Pidoux and pianist Vincent Coq) first performed together as students at the Conservatoire de Paris in the early 1990s. Their background includes studies with the Amadeus Quartet and with Menahem Pressler of the Beaux Arts Trio. Here, they’re joined by violist Antoine Tamestit. The buoyant, suave sense of French style, a wide array of rich …

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The Triumph of Inner Voices

No, this post isn’t about following your intuition…today we’re talking about musical inner voices, those sometimes inconspicuous lines between the melody and the bass, which are often the essence of a piece’s drama. If you have any doubts about the importance of these lines, often played by violas and second violins in orchestral and string quartet repertoire, watch this short but funny clip of conductor Sergiu Celibidache rehearsing the Adagio from Anton Bruckner’s Symphony No. 7.  Ensemble …

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Free Play: The Power of Improvisation in Life and the Arts

What is the source of a creative idea? What is the link between art and spirituality? How can we unlock our inner muse, find joy in the creative process and unleash the full potential of our imagination? Stephen Nachmanovitch’s book, Free Play: The Power of Improvisation in Life and the Arts delves into these questions. Nachmanovitch is an improvisational violinist and violist, computer artist and teacher. Musicians and non-musicians alike will find his book meaningful, inspiring …

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The Art of the Ostinato

An ostinato is a musical motif or phrase that is persistently repeated.  Here are three pieces from the Baroque period that are constructed around a repeating bass line known as a basso ostinato, or ground bass.  In each case, the bass line provides the framework for a set of increasingly complex and thrilling variations.  It’s as if the composer is saying, “Listen to how clever and inventive I can be!” Canon in D…Johann …

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