Rita Shane Sings The Queen of the Night

dramatic coloratura soprano Rita Shane (1940-2014)
dramatic coloratura soprano Rita Shane (1936-2014)

Dramatic coloratura soprano Rita Shane passed away last thursday at the age of 78. Following her 1973 Metropolitan Opera debut as the Queen of the Night in Mozart’s The Magic Flute, she appeared regularly at the Met in a total of 71 productions. In 1989, Shane joined the faculty of the Eastman School of Music.

You can get a sense of Rita Shane’s brilliance and extensive vocal range in these short excerpts: Ah! Si j’étais coquette (“Ah! if I were flirtatious”) from Giacomo Meyerbeer’s Les Huguenots and O zittre nicht, mein lieber Sohn (“Tremble not, my dear son”) from Mozart’s The Magic Flute.

The most famous example from The Magic Flute is the “Vengeance Aria” from Act II. The enraged Queen of the Night gives her daughter a knife and implores her to kill Sarastro (Read the synopsis and hear more music from the opera here). Shane brings more than technique to this gruesome aria (below). She captures the ferocious passion of the character.

The role of the Queen of the Night was first performed by Mozart’s sister-in-law, Josepha Hofer, who was known for her wide vocal range. The aria’s high “F” (above high “C”) reaches nearly the upper limit of a soprano’s range.

Here is a translation of the libretto:

Hell’s vengeance boils in my heart;
Death and despair blaze around me!
If Sarastro does not feel the pain of death because of you,
Then you will be my daughter nevermore.

Disowned be forever,
Forsaken be forever,
Shattered be forever
All the bonds of nature
If Sarastro does not turn pale [in death] because of you!
Hear, hear, hear, gods of vengeance, hear the mother’s oath!

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

1 thought on “Rita Shane Sings The Queen of the Night

  1. Un ciclón, todo un huracán en forma de fiato y punto “P” de la voz. Pocas sopranos podrán hoy igualar su derroche de energía neumática y vocal tech. He de imaginar que habrá dejado alguna impronta suya en alguna de sus alumnas.

    A cyclone , a hurricane all in the form of fiat and point “P” of the voice. Few sopranos today can match its extravagance and vocal tech pneumatic energy. I imagine there will be any left his mark on some of his students.

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