Ives’ “The Pond”: A Dreamy Elegy

Composed by Charles Ives in 1906, The Pond is a shimmering, atmospheric fragment, or, in the words of the composer, “a song without voice.” Evocative of a rippling pond on a lazy afternoon, the work is so brief that it unfolds as a fleeting dream. The Pond was the composer’s nostalgic elegy for his father, George Ives (1845–1894), a cornet player and bandmaster in the Union Army during the Civil War. In Ives’ musical fragment, …

Read more

Prokofiev’s String Quartet No. 1 in B Minor: Classical Foundations

The impetus for Sergei Prokofiev’s First String Quartet came from America. In 1930, Prokofiev received the commission from the Elizabeth Sprague Coolidge Foundation of the Library of Congress. The Brosa Quartet premiered the work in Washington, D.C. on April 25, 1931. At the time, Prokofiev lived in exile in Paris, having fled his native land shortly after the 1917 Russian Revolution. In 1936, he would return home, telling friends, “I must see …

Read more

Beethoven’s Bagatelle, Op. 33 No. 4: Paul Lewis, Live at Wigmore Hall

From his teenage years in Bonn until the end of his life, Beethoven composed piano bagatelles. These brief, unpretentious pieces, which the composer called Kleinigkeiten, or “trifles,” were published in three sets (Op. 33, Op. 119, and Op. 126). They set the stage for the Romantic character pieces of later composers, such as Schumann, Chopin, and Brahms. Pianist Paul Lewis writes, “Beethoven, the architect of massive, great formal structures, shows himself in …

Read more

Prokofiev’s Overture on Hebrew Themes: Klezmer Conversations

When the February Revolution of 1917 broke out in Petrograd, Sergei Prokofiev resettled in the United States, stating that his native Russia “had no use for music at the moment.” Soon after arriving in New York, the 28-year-old Prokofiev received a commission from Zimro, a touring Soviet ensemble made up of Russian Jewish immigrants. The new sextet was to be based on themes from a notebook of Jewish folksongs. In his autobiography, …

Read more

Tchaikovsky’s “Romeo and Juliet”: Overture-Fantasy After Shakespeare

Perhaps as a result of his turbulent personal struggles, Pyotr Ilyich Tchaikovsky was drawn to stories of doomed love. It is a theme which runs through the Pushkin-inspired operas, Eugene Onegin and The Queen of Spades, the ballet Swan Lake, the Manfred Symphony, and the hellish Dante-inspired tone poem, Francesca da Rimini. Predating all of these works was the Overture-Fantasy on Shakespeare’s Romeo and Juliet, composed in 1869 by the 29-year-old Tchaikovsky. The …

Read more

Ingram Marshall’s “Wanderer’s Night Song”: Hymnodic Twilight Meditations

“The all too familiar hymns of my childhood have come back to haunt me,” wrote American composer Ingram Marshall (1942-2022) above the program note for his 1992 work for string quartet, Evensongs. Marshall went on to describe the six sections of Evensongs as “hymnodic meditations” concerning twilight. The concluding section, Fast falls the eventide: Wanderer’s Night Song is haunting and atmospheric. Frequently, Marshall blended elements of minimalism and electronic music (listen to the 1982 Fog …

Read more

“The Star-Spangled Banner”: The National Anthem as Arranged by Rachmaninov and Stravinsky

On September 14, 1814, after witnessing the bombardment of Fort McHenry by the Royal Navy during the Battle of Baltimore in the War of 1812, Francis Scott Key penned the words that would later form the National Anthem. The defining image of the poem was the sight of the U.S. flag, with its fifteen stars and strips, flying defiantly above the Fort following the battle. The triumphant image was central to the …

Read more