New Release: RPO’s “American Rapture” Features Music of Higdon, Barber, and Harlin

The Rochester Philharmonic Orchestra and Music Director Ward Stare have released a new album of American music on the Azica label. American Rapture contains two world premiere recordings—Jennifer Higdon’s Harp Concerto (2018) featuring the American harpist Yolanda Kondonassis, and Patrick Harlin’s Rapture (2011), an orchestral showpiece inspired by the terrifying and awe-inspiring exploration of the world’s deepest caves. In between these youthful pieces is Samuel Barber’s Symphony No. 1, a monumental mid-twentieth century work which unfolds in a single …

Read moreNew Release: RPO’s “American Rapture” Features Music of Higdon, Barber, and Harlin

“Siegfried’s Death and Funeral March”: Klaus Tennstedt and the LPO, Live in 1988

The final act of Götterdämmerung (“Twilight of the Gods”), the last of the four operas that make up Wagner’s Ring Cycle, is about annihilation and renewal. The gods are brought down by their desire for absolute power. As Todd Sullivan writes in his program notes, The whole world of the gods crumbles in Act III of Götterdämmerung. The long-awaited hero, Siegfried (the misbegotten son of Siegmund and Sieglinde, twin offspring of the god Wotan), …

Read more“Siegfried’s Death and Funeral March”: Klaus Tennstedt and the LPO, Live in 1988

Pavel Karmanov’s “Cambridge Music” for Piano Quartet: A Post-Minimalist Joyride

The music of contemporary Russian composer Pavel Karmanov (b. 1970) falls loosely into a category known as post-minimalism. Influenced by the work of Steve Reich, Philip Glass, and others, this is music built on a strong, satisfying sense of pulse and a warm embrace of tonality. “Cambridge Music” for Piano Quartet, written in 2008, teems with sunny, youthful energy and bright, glistening colors. Its repeating bass lines and sense of “groove” seem to …

Read morePavel Karmanov’s “Cambridge Music” for Piano Quartet: A Post-Minimalist Joyride

Copland’s “Quiet City”: The Trumpet’s Mystic Call

HARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates capricious tunes to-night. I hear thee trumpeter, listening alert I catch thy notes, Now pouring, whirling like a tempest round me, Now low, subdued, now in the distance lost. – opening lines of “The Mystic Trumpeter,” Walt Whitman Aaron Copland’s Quiet City begins with primal open intervals (fourths and fifths) which seem to emerge from a vast, wide-open landscape. The expansive pandiatonicism of …

Read moreCopland’s “Quiet City”: The Trumpet’s Mystic Call

Beth Levin Plays Beethoven’s Last Three Piano Sonatas

Beethoven said that his final three piano sonatas, written between 1820 and 1822, were conceived “in a single breath.”  In April, 2012, pianist Beth Levin gave what has been described as a “revelatory” performance of these three Sonatas (Op. 109, 110, and 111) in the intimate setting of New York’s Faust Harrison Pianos. Luckily, this special concert, performed on an 1887 Steinway, was recorded and released a year later on the Navona label (“A Single Breath: …

Read moreBeth Levin Plays Beethoven’s Last Three Piano Sonatas

The Queen of the Night: Opera’s Most Deranged Mother?

This weekend as you celebrate Mother’s Day, count your blessings that you aren’t in the predicament faced by Pamina in Mozart’s The Magic Flute. In one of the opera’s most recognizable arias, “Der Hölle Rache kocht in meinem Herzen“ (“Hell’s vengeance boils in my heart”), Pamina’s mother, the Queen of the Night, flies into a fit of vengeful rage. Placing a knife in her daughter’s hand, the Queen of the Night tells Pamina …

Read moreThe Queen of the Night: Opera’s Most Deranged Mother?

David Diamond’s Second Symphony: A Mid-Century American Masterwork

Listeners who go in search of “the great American symphony” will be rewarded with a handful of often-neglected mid-twentieth century masterworks. They include the Third Symphonies of Aaron Copland and Roy Harris, the First Symphony of Samuel Barber, as well as music by Howard Hanson, Walter Piston, William Schuman, Peter Mennin, Lou Harrison, and others. These composers came to prominence in the 1930s and 40s, championed by conductors like Boston Symphony music director Serge Koussevitzky. Their musical …

Read moreDavid Diamond’s Second Symphony: A Mid-Century American Masterwork

Send this to a friend