When Less is More

The best conductors know when to get out of the way. They have an intuitive sense for those rare moments when the music is cooking along on its own and they allow it to blossom. Expressive power grows from economy. The big gesture means more when it’s reserved for the right moment. On one level, conducting involves a mysterious “give and take” between the ensemble and the person on the podium. In physics …

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The Road to Happiness in Music

Violinist Holly Mulcahy has written an interesting and insightful post about finding happiness and keeping perspective while pursing a competitive career in music. Holly is the concertmaster of the Chattanooga Symphony and the author of the popular blog, Neo Classical. If you’re a young musician enduring the rigors of the audition circuit in the hopes of winning the “big job,” Holly’s post is a must read. Even if you’re not a musician, you’ll find …

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Free Play: The Power of Improvisation in Life and the Arts

What is the source of a creative idea? What is the link between art and spirituality? How can we unlock our inner muse, find joy in the creative process and unleash the full potential of our imagination? Stephen Nachmanovitch’s book, Free Play: The Power of Improvisation in Life and the Arts delves into these questions. Nachmanovitch is an improvisational violinist and violist, computer artist and teacher. Musicians and non-musicians alike will find his book meaningful, inspiring …

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Anyone Can Whistle

There’s an interesting irony at the heart of musical performance. As musicians, we spend countless hours in the practice room in order to achieve the highest level of technical control. Technical assurance gives us the freedom to let go, enter “the zone” and allow the music to come to life. We cherish the rare, exhilarating performances which rise above “good” or “technically solid” and tap into a higher energy. At these moments …

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December

Music occupies the mysterious realm of metaphor, expressing realities which cannot be put into words. For American composer Michael Torke (b. 1961) music is inextricably bound to extramusical associations like colors, memories and feelings. His evocative titles give us a glimpse at these associations. In a previous post we looked at Torke’s synesthesia, a neurological blurring of the senses which allows him to “hear” colors. December for string orchestra was written in 1995. Why do …

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A Question of Timing

Timing is an important element in music as well as comedy. A great comedian knows how to build up to the punch line of a joke . Similarly, great composers have an intuitive understanding of proportion in music. They know how long to repeat an idea before moving on. They allow the music to unfold organically in a way that seems “right”, as if the piece is composing itself. As musicians, we …

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Mozart and Salieri

What is it about the greatest music that keeps us coming back? Mozart’s music, written in an era of powdered wigs and aristocracy, speaks to us as powerfully today as when it was written over 250 years ago. It embodies a universal reality which transcends fashion and style. Meanwhile, Antonio Salieri (1750-1825), a respected contemporary of Mozart, is now little more than a historical curiosity. You may remember this scene from the 1984 movie, Amadeus …

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