Beethoven’s “Les Adieux” Sonata: Saying Goodbye in Three Chords

Listen carefully to the three opening chords of Beethoven’s Piano Sonata No. 26 in E-flat Major, Op. 81a. For Beethoven, these chords outlined the three broken syllables of the word “Le-be-wohl,” or “Fare-thee-well,” which he inscribed in the manuscript. If the music from Monday’s post is still in your ears, you’ll notice the tantalizing similarity between this opening and the three chords which open Brahms’ choral lamentation, Nänie -another “farewell” piece. Beethoven’s opening chords suggest the wide-open intervals …

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Barenboim on Bruckner

Conductor Daniel Barenboim had some interesting things to say, recently, about the music of Bruckner. (Why Bruckner Matters: A Listeners’ Guide With Daniel Barenboim). Here are a few excerpts: Bruckner is a very, how shall I say, special, specific world in the world of music. The musical idiom, the musical language, is post-Wagner, late 19th-century. The form however, is Classical, almost Baroque. And that already gives you the feeling that you are …

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