“Daphnis and Chloe”: Ravel’s Shimmering “Symphonie Chorégraphique”

Maurice Ravel’s Daphnis et Chloé was conceived as a ballet score for Sergei Diaghilev’s Paris-based Ballets Russes. It premiered on June 8, 1912, two years after Stravinsky’s The Firebird and a year before the same composer’s riot-inducing Le Sacre du printemps. Yet this radical and monumental work—the closest Ravel ever came to writing a symphony—boldly transcends its original purpose. Scored for a massive orchestra and chorus and unfolding in three parts with four recurring leitmotifs, Ravel referred …

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Pierre Monteux: Five Historic Recordings

You may give an excellently played, genuinely felt performance of a movement, but because the engineer is not satisfied, because there is some rustling at one point, so you do it again and this time something else goes wrong. By the time you get a “perfect” take of the recording the players are bored, the conductor is bored, and the performance is lifeless and boring. … I detest all my own records. …

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LA Phil Isn’t Rattled by Earthquake

It was a concert musicians and patrons likely won’t forget for a while. Charles Dutoit and the Los Angeles Philharmonic were six minutes into Ravel’s Daphnis and Chloé on the evening of March 28 when a 5.1-magnitude earthquake rumbled under downtown Los Angeles, jolting the ten year old Walt Disney Concert Hall. Dutoit and the orchestra continued to play through the minute-long event. Last Friday, the Los Angeles Philharmonic released this amazing audio along with …

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