The Mercurial Romanticism of Schumann’s Fantasiestücke, Op. 73

Listening to Robert Schumann’s Fantasiestücke, Op. 73 forces us to live in and enjoy the moment. The three short “Fantasy Pieces,” written in just over two days in February, 1849, are filled with abrupt, slightly schizophrenic, changes in mood. Moments of deep introspection, followed by bursts of euphoria, remind us of Florestan and Eusebius, the split personalities which inhabit much of Schumann’s music. In the Fantasy Pieces, each delightful and unexpected harmonic shift whisks …

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