Simone Porter, A Star on the Rise

To finish the week, here are two pieces of violinistic ear candy, performed by Simone Porter, a 19-year-old rising star. Porter began taking violin lessons through the Suzuki method at the age of 3 and a half, eventually studying with Margaret Pressley in Seattle. She is currently a student of Robert Lipsett at the Colburn Conservatory of Music in Los Angeles. Porter, who plays a 1745 J.B. Guadagnini violin on loan, has appeared on NPR’s …

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Dylana Jenson’s Sibelius Recording

If you’ve never heard Dylana Jenson’s 1981 recording of the Sibelius Violin Concerto with Eugene Ormandy and the Philadelphia Orchestra, take a moment and listen. This soulful and blazing performance is widely regarded to be one of the finest recordings of the Sibelius ever made. It’s a rare gem which deserves more attention. A child prodigy and student of Josef Gingold and Nathan Milstein, Jenson was awarded the silver medal at the 1978 …

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Music Inspired by Scotland

Tomorrow all eyes will be on Scotland. A referendum will determine whether the ancient and mysterious land of rugged mountains, long, picturesque Lochs and remote castles will remain a part of the United Kingdom or become an independent country. Throughout its tumultuous history (which included the arrival of the Romans around 71 AD, and later, Catholic-Protestant religious wars in which the Scots sometimes fought alongside the French), Scotland has maintained a separate …

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Gavotte from "Mignon"

If you’re a Suzuki violin student, you know the charmingly quirky Gavotte from “Mignon” by the transcription in Book 2. You may be less familiar with the piece’s composer and origin. Mignon was a wildly successful 1866 French comic opera by Ambroise Thomas (1811-1896), longtime director of the Paris Conservatory. The three-act opera is based on Goethe’s novel, Wilhelm Meisters Lehrjahre. Its soap opera-like plot centers around a passionate romantic rivalry between two contrasting female characters: the seductive and unscrupulous …

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Carmen Fantasies

Georges Bizet’s Carmen remains one of opera’s most popular hits, partly because of its rich and exotic melodies. These melodies were the inspiration for Spanish violinist Pablo de Sarasate’s Carmen Fantasy, written in 1883. In the nineteenth century, composers commonly used opera melodies as a springboard for new virtuoso showpieces. At the time, arias from Carmen and other operas would have fallen into the category of “popular music.” Franz Liszt wrote a  Fantasia on two themes from Mozart’s …

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Sounds of Sarasate

Pablo de Sarasate’s violin showpieces evoke the sunny, exotic warmth of Spain. A violinist and composer, Sarasate (1844-1908) contributed greatly to the development of the violin. Here are a few legendary performances of his short, technically dazzling pieces. [typography font=”Cantarell” size=”28″ size_format=”px”]Zapateado[/typography] We’ll start with a performance of Zapateado from Midori’s 1990 Carnegie Hall debut recital. I featured another piece from this recital in a past post. Zapato is the Spanish word for “shoe.” Zapateado is …

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